Literature DB >> 2946797

Reaction time and musical expectancy: priming of chords.

J J Bharucha, K Stoeckig.   

Abstract

The cognitive processes underlying musical expectation were explored by measuring reaction time in a priming paradigm. Subjects made a speeded true/false decision about a target chord following a prime chord to which it was either closely or distantly related harmonically. Using a major/minor decision task in Experiment 1, we found that major targets were identified faster, and with fewer errors, when they were related than when unrelated. An apparent absence (and possible reversal) of this effect for minor targets can be attributed to the prime's biasing effect on the target's stability. In Experiments 2 and 3 we tested this hypothesis by employing an in-tune/out-of-tune decision for major and minor targets separately. Both major and minor in-tune targets were identified faster when related than when unrelated. We outline a spreading activation model which consists of a network of harmonic relations. Priming results from the indirect activation of chord nodes linked through the network.

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Year:  1986        PMID: 2946797     DOI: 10.1037//0096-1523.12.4.403

Source DB:  PubMed          Journal:  J Exp Psychol Hum Percept Perform        ISSN: 0096-1523            Impact factor:   3.332


  33 in total

1.  Time course of chord priming.

Authors:  H G Tekman; J J Bharucha
Journal:  Percept Psychophys       Date:  1992-01

2.  Surface and structural effects of pitch and time on global melodic expectancies.

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Journal:  Psychol Res       Date:  2016-01-12

3.  Influence of tonal and temporal expectations on chord processing and on completion judgments of chord sequences.

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4.  Beyond perception: musical representation and on-line processing in autism.

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5.  Context effects on musical chord categorization: Different forms of top-down feedback in speech and music?

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6.  Domain-specific learning of grammatical structure in musical and phonological sequences.

Authors:  Benjamin Martin Bly; Ricardo E Carrión; Björn Rasch
Journal:  Mem Cognit       Date:  2009-01

7.  Tonal hierarchy representations in auditory imagery.

Authors:  Dominique T Vuvan; Mark A Schmuckler
Journal:  Mem Cognit       Date:  2011-04

8.  Aesthetic concepts, perceptual learning, and linguistic enculturation: considerations from Wittgenstein, language, and music.

Authors:  Adam M Croom
Journal:  Integr Psychol Behav Sci       Date:  2012-03

9.  Priming of chords: spreading activation or overlapping frequency spectra?

Authors:  J J Bharucha; K Stoeckig
Journal:  Percept Psychophys       Date:  1987-06

10.  Temporal dynamics and the identification of musical key.

Authors:  Morwaread Mary Farbood; Gary Marcus; David Poeppel
Journal:  J Exp Psychol Hum Percept Perform       Date:  2013-01-14       Impact factor: 3.332

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