Literature DB >> 29411920

Time-Dependent ATR-FTIR Spectroscopic Studies on Fatty Acid Diffusion and the Formation of Metal Soaps in Oil Paint Model Systems.

Lambert Baij1,2, Joen J Hermans1,2, Katrien Keune1,2, Piet Iedema1.   

Abstract

The formation of metal soaps (metal complexes of saturated fatty acids) is a serious problem affecting the appearance and structural integrity of many oil paintings. Tailored model systems for aged oil paint and time-dependent attenuated total reflection Fourier transform infrared (ATR-FTIR) spectroscopy were used to study the diffusion of palmitic acid and subsequent metal soap crystallization. The simultaneous presence of free saturated fatty acids and polymer-bound metal carboxylates leads to rapid metal soap crystallization, following a complex mechanism that involves both acid and metal diffusion. Solvent flow, water, and pigments all enhance metal soap crystallization in the model systems. These results contribute to the development of paint cleaning strategies, a better understanding of oil paint degradation, and highlight the potential of time-dependent ATR-FTIR spectroscopy for studying dynamic processes in polymer films.
© 2018 The Authors. Published by Wiley-VCH Verlag GmbH & Co. KGaA.

Entities:  

Keywords:  IR spectroscopy; metal soaps; oil paintings

Year:  2018        PMID: 29411920      PMCID: PMC6033171          DOI: 10.1002/anie.201712751

Source DB:  PubMed          Journal:  Angew Chem Int Ed Engl        ISSN: 1433-7851            Impact factor:   15.336


Traditional oil paints are a mixture of mainly inorganic pigments, a drying oil (triglycerides with a high degree of unsaturation) and a wide variety of possible additives. As the oil binding medium dries and ages through autoxidation reactions, this mixture becomes a complex heterogeneous system of solid particles suspended in a dense polymer matrix. Oil paints are subject to slow deterioration processes that affect the appearance and structural integrity of oil paintings. Factors such as humidity,1, 2 exposure to solvents,3, 4 temperature changes, and exposure to light5 are known to influence the stability of oil paint. Reactions between pigments or metal‐based siccatives and the oil binder can lead to the prominent conservation issue of metal soap formation: complexes of metal ions (usually lead or zinc) and long‐chain saturated fatty acids. These complexes can form large crystalline aggregates that protrude through the paint surface and have been associated to cases of brittleness, transparency, and delamination in oil paint layers.6 An important discovery has been that metal ions (originating from pigments or driers) migrate into the binding medium, where they are distributed throughout the polymerized oil network and associated to carboxylate groups.7, 8, 9 Such an ionomer medium contains clusters of metal carboxylate groups (identified by a broad ν a COO− band in infrared (IR) spectra) that, while potentially reactive towards long‐chain saturated fatty acids (SFAs), could contribute to the stability of the oil network on the short term.8 SFAs can either be formed by partial hydrolysis of the polymerized oil network, or be derived from paint additives such as aluminum stearate.10 Our current hypothesis, illustrated in Figure 1, is that the presence of free SFAs leads to the formation of amorphous metal soap complexes. Subsequently, owing to the low solubility of metal soaps in oil,11 these complexes will tend to crystallize and form metal–soap aggregates. With FTIR spectroscopy, this crystalline state of metal soaps can be distinguished from amorphous metal carboxylate species by their sharp COO− bands at 1510 cm−1 (Pb) or 1538 cm−1 (Zn).
Figure 1

Hypothetical pathway for the formation of crystalline metal soaps from ionomeric binding media upon exposure to palmitic acid (HPa).9 The noted wavenumbers refer to the position of the ν aCOO− vibration band for lead (red) and zinc (blue) complexes. The geometry of the metal carboxylate complexes is only intended as illustration.

Hypothetical pathway for the formation of crystalline metal soaps from ionomeric binding media upon exposure to palmitic acid (HPa).9 The noted wavenumbers refer to the position of the ν aCOO− vibration band for lead (red) and zinc (blue) complexes. The geometry of the metal carboxylate complexes is only intended as illustration. Linseed oil‐based ionomer model systems and time‐dependent ATR‐FTIR spectroscopy were used to investigate the diffusion of a SFA (palmitic acid) and its reaction with metal carboxylate clusters. ATR‐FTIR spectroscopy has proven to be a powerful tool to study dynamic processes in polymer films.12, 13, 14, 15, 16, 17 Mature oil paint model systems (Znpol and Pbpol) were synthesized by co‐polymerization of linseed oil (LO) and metal sorbate (2,4‐hexadienoate) at 150 °C (Supporting Information). We have confirmed that these systems are representative of mature oil paint in terms of metal carboxylate concentration and structure.7, 8, 9 We subjected our paint models either to fatty acid in solution or to molten fatty acids, because long‐chain fatty acids are solids at room temperature. Both conditions entail a departure from the real conditions in oil paintings to some degree but do allow the studying of essential reaction‐diffusion processes. The model systems were exposed to a solution of palmitic acid (HPa) in acetone in a custom ATR sample cell (Supporting Information, Figure S1) that ensured a constant contact between the samples and the ATR crystal. These experiments provided information on the sequence of several diffusion and reaction processes that happen on much longer timescales in real oil paintings. Figure 2 shows the evolution of IR spectra of Znpol and Pbpol recorded during the first 200 minutes of exposure to a solution of HPa in acetone. The spectra before exposure exhibit clear amorphous metal carboxylate bands in the 1500–1650 cm−1 region. At t>0, IR bands corresponding to acetone appeared within minutes, while the remainder of the spectrum decreased in intensity owing to a decreasing concentration of polymer in the measurement volume. After 10–20 minutes, carboxylate bands associated with crystalline lead palmitate (PbPa2) and zinc palmitate (ZnPa2) were detected. In Pbpol, CH2 progression bands between 1240–1340 cm−1, associated with packed all‐trans alkyl chains, were clearly visible. X‐ray diffraction measurements on ionomer films after exposure to HPa solution (Supporting Information, Figure S2) confirm the attribution of the sharp ν aCOO− bands appearing in Figure 2 to crystalline metal palmitate (MPa2) complexes.
Figure 2

A baseline‐corrected selection of IR spectra with 10 min time intervals of a) Pbpol and b) Znpol ionomers of 140–160 μm thickness, recorded during the first 200 minutes of exposure to a solution of HPa in acetone. Spectra at t=0 are highlighted in red and blue for lead and zinc, respectively. Bands associated with acetone are marked by •. Arrows indicate the ν aCOO− vibration of crystalline MPa2 complexes. The inset in (a) shows the CH2 progression bands of PbPa2.

A baseline‐corrected selection of IR spectra with 10 min time intervals of a) Pbpol and b) Znpol ionomers of 140–160 μm thickness, recorded during the first 200 minutes of exposure to a solution of HPa in acetone. Spectra at t=0 are highlighted in red and blue for lead and zinc, respectively. Bands associated with acetone are marked by •. Arrows indicate the ν aCOO− vibration of crystalline MPa2 complexes. The inset in (a) shows the CH2 progression bands of PbPa2. Integrated band areas corresponding to acetone, PbPa2, and ZnPa2 are shown in Figure 3, which clearly illustrate the sequence of diffusing species detected at the bottom of the film. To obtain accurate areas of the crystalline MPa2 bands, a custom spectral processing algorithm was applied to subtract contribution of the overlapping broad metal carboxylate band (see the Supporting Information, Figure S3 for details). After 30 minutes, the concentration of acetone reached a constant value in the measurement volume (penetration depth18 d p varies from 0.5 to 3.5 μm from 3500 to 500 cm−1). IR bands of PbPa2 and ZnPa2 were detected just minutes after acetone was first observed. The shape of the profiles and the time at which species are first detected (delay time τ d) give valuable information on the reaction and diffusion processes taking place.
Figure 3

Profiles of IR band areas corresponding to acetone (529 cm−1), PbPa2 (1510 cm−1), and ZnPa2 (1538 cm−1) in Pbpol and Znpol ionomers during exposure to a solution of HPa in acetone (56 mm). The diffusion profile of molten HPa (1710 cm−1) was recorded at 70 °C in a polymerized linseed oil film (pLO).

Profiles of IR band areas corresponding to acetone (529 cm−1), PbPa2 (1510 cm−1), and ZnPa2 (1538 cm−1) in Pbpol and Znpol ionomers during exposure to a solution of HPa in acetone (56 mm). The diffusion profile of molten HPa (1710 cm−1) was recorded at 70 °C in a polymerized linseed oil film (pLO). To investigate the effect of the presence of metal ions on HPa diffusion, we compared reactive and unreactive films (that is, linseed oil without metal ions, see Supporting Information). Films of pure polymerized linseed oil (pLO) were exposed to molten HPa at 70 °C while monitoring the ν a COOH band at 1710 cm−1 (see the Supporting Information, Figure S3 for the integration method). The diffusion profile of molten HPa (dashed line in Figure 3) was described well with a simple Fickian diffusion model,18 yielding a diffusion coefficient D=1.15×10−8 cm2 s−1 (Supporting Information, Figure S4). The fast formation of MPa2 complexes in the measurement volume demonstrates that metal soap crystallization starts directly after HPa reaches the bottom of the film, indicating that the presence of free SFAs in ionomeric binding media is enough to cause spontaneous metal soap crystallization. Consequently, any process that may increase the free SFA concentration in a paint (for example, ester hydrolysis or wax‐resin lining of paintings19), is expected to have a significant effect on the metal soap formation rate. Comparing the profiles of Pbpol and Znpol (Figure 3), PbPa2 had a τ d of approximately 10 min, while for ZnPa2 τ d=20 min. Interestingly, τ d for molten HPa in the unreactive pLO was greater than the delay time of crystalline MPa2 complexes in reactive ionomer systems. This observation indicates that the initial HPa diffusion rate is strongly increased by the simultaneous flow of acetone in the same direction. Moreover, the MPa2 concentration profile keeps increasing slowly on long timescales, unlike the diffusion profiles of acetone or other solvents.17 The observed concentration profiles offer a better understanding of the reaction and diffusion of free SFAs, solvents (cleaning agents) as well as the possible transport of network‐bound metal ions in oil paintings. The idea that the investigated systems contain multiple diffusion processes seems to be confirmed by the presence of a fast and slow regime (Figure 4). One explanation for these two regimes is a decreasing HPa diffusion rate as the local concentration of crystalline MPa2 increases and fills up the free volume in the polymer network. Alternatively, if there is a slow migration process of metal ions at play, the fast regime of MPa2 crystallization can be interpreted as the consumption of network‐bound metal carboxylates initially present in the measurement volume. The slow regime would then be caused by M2+ migration, causing crystalline metal soaps to keep forming at the bottom of the sample even when the initial concentration of metal ions in the measurement volume has been consumed. In this scenario, metal soaps would need to show preferential crystallization near the polymer/ATR‐crystal interface. Such an accumulation process is also suggested by the intensity of the ZnPa2 band in films after long exposure to HPa solutions (Supporting Information, Figure S5). The intensity of this band is far greater in Znpol after reaction than in a mixture of ZnPa2 and linseed oil with the same Zn2+ content. Interestingly, even though one would expect metal ions to migrate towards the top of the film (where HPa arrives first), these measurements suggest that M2+ ions from outside the measurement volume have migrated towards the bottom of the film instead.
Figure 4

MPa2 concentration profiles in a) Znpol and b) Pbpol ionomers, comparing experiments with direct exposure to a HPa solution (—), pre‐swelling with acetone (‐ ‐ ‐ ‐), or removal of most of the water in the system (••••). The pre‐swollen curves were shifted horizontally to place t=0 at the moment of HPa addition. c) MPa2 profiles in paint films pigmented with ZnO (blue curve) or Pb3O4 (red curve).

MPa2 concentration profiles in a) Znpol and b) Pbpol ionomers, comparing experiments with direct exposure to a HPa solution (—), pre‐swelling with acetone (‐ ‐ ‐ ‐), or removal of most of the water in the system (••••). The pre‐swollen curves were shifted horizontally to place t=0 at the moment of HPa addition. c) MPa2 profiles in paint films pigmented with ZnO (blue curve) or Pb3O4 (red curve). The effect of acetone flow on the diffusion of HPa was investigated by carrying out reaction‐diffusion experiments in which HPa was only introduced after the sample film was first fully saturated with acetone (Figure 4 a,b). While the MPa2 profile shape was unaffected, the pre‐swollen films did show a significantly increased τ d. This delay supports the notion that the rapid initial diffusion of HPa and subsequent crystallization of MPa2 shown in Figure 3 is indeed caused by the initial acetone flow. In all of the experiments, τ d was approximately twice as long in Znpol compared to Pbpol. Previous research demonstrated that crystallization from the melt is a faster process for PbPa2 than for ZnPa2,11 which offers an explanation for the earlier detection of PbPa2. Significant differences in the diffusion rate of HPa in the two ionomers are not expected, because the diffusion constants of a wide range of solvents were approximately equal in Znpol and Pbpol.17 In studies of oil paint ageing, water has always been suspected of causing a broad range of degradation phenomena, primarily through hydrolysis of the triacylglyceride ester bonds. We studied the effect of water on the reaction‐diffusion processes by removing as much water from the system as possible. The dotted curves in Figure 4 a,b show the MPa2 profiles recorded on films that were dried overnight in vacuum at 100 °C, using dry acetone that was freshly distilled over B2O3. Both for Znpol and Pbpol, τ d was similar to the non‐dried runs. However, the subsequent rate of MPa2 formation was slower and the final conversion was much lower, especially for Znpol. This result demonstrates that even low concentrations of water in the system have a profound effect on the rate of metal soap formation. Rather than promoting metal soap formation by generation of free SFAs through ester hydrolysis, here water increases the rate of MPa2 formation when free SFAs are introduced to the system. We hypothesize that water lowers the activation energy for metal ion transfer between carboxylate groups, thereby increasing the metal ion migration rate through the polymer network and the consumption of metal ions by free SFAs. Such an effect has been demonstrated in perfluorosulfonated ionomer membranes.20 We compared the unpigmented ionomer systems Znpol and Pbpol with complete paint models consisting of zinc oxide (ZnO) or minium (Pb3O4) in linseed oil, dried at 60 °C for one week (denoted ZnO‐LO and Pb3O4‐LO, respectively). Both these paint models showed broad COO− bands in FTIR spectra that are nearly identical in both shape and intensity to Znpol and Pbpol systems (Supporting Information, Figure S6), indicating the formation of ionomeric binding media.8 Figure 4 c shows the crystalline MPa2 profiles for ZnO‐LO and Pb3O4‐LO during exposure to HPa solution. The pigmented films showed very fast MPa2 crystallization on short timescales. The concentration of ZnPa2 in the ZnO‐LO system reached a constant level after approximately 600 minutes, while the concentration of PbPa2 was still increasing in the Pbpol system after 1000 minutes. It is apparent that pigmentation strongly affects the metal soap formation process. Though the intensities of the initial broad COO− bands in ZnO‐LO and Pb3O4‐LO were very similar to those in Znpol and Pbpol, the initial slope of the profiles and the band intensities after 1000 minutes were, especially in the case of ZnO‐LO, greater in the case of pigmented films (compare Figure 4 a–c). Two effects can explain these differences. First, in the case of ZnO‐LO, it is evident that ZnO particles are consumed as the total concentration of COOH groups increases when HPa flows into the system and metal soaps form. Second, the pigment surface could act as a suitable nucleation site for MPa2. It is conceivable that both factors are in effect to different degrees in Pb3O4‐LO and ZnO‐LO, explaining the differences in their profile shapes. If Pb3O4 is less prone to degradation than ZnO, this higher stability could result in a slower release of Pb2+ during the measurement and an overall profile shape that is largely governed by slow transport of Pb2+ ions that were already present in the binding medium at the start of the experiment. All of the effects discussed here highlight the complexity of the metal soap crystallization process in ionomeric binding media. Time‐dependent ATR‐FTIR spectroscopy is a powerful method to study such complex processes with high chemical specificity. Our current results have shown that: the presence of free SFAs leads to rapid metal soap crystallization in ionomeric binding media; solvents can displace reactive molecules such as HPa in a paint system (for example, from the surface to the interior of paint layers); low water concentrations strongly influence the crystallization rate of metal soaps; metal soap crystallization can lead to the breakdown of pigments. Future work will be directed at the development of computational models to simulate the reaction‐diffusion system and FTIR microscopy measurements21 on reacting ionomer systems to study heterogeneity in metal soap concentrations across the depth of the paint films.

Conflict of interest

The authors declare no conflict of interest. As a service to our authors and readers, this journal provides supporting information supplied by the authors. Such materials are peer reviewed and may be re‐organized for online delivery, but are not copy‐edited or typeset. Technical support issues arising from supporting information (other than missing files) should be addressed to the authors. Supplementary Click here for additional data file.
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