Literature DB >> 28889178

Music and speech distractors disrupt sensorimotor synchronization: effects of musical training.

Anita Białuńska1,2, Simone Dalla Bella3,4,5,6.   

Abstract

Humans display a natural tendency to move to the beat of music, more than to the rhythm of any other auditory stimulus. We typically move with music, but rarely with speech. This proclivity is apparent early during development and can be further developed over the years via joint dancing, singing, or instrument playing. Synchronization of movement to the beat can thus improve with age, but also with musical experience. In a previous study, we found that music perturbed synchronization with a metronome more than speech fragments; music superiority disappeared when distractors shared isochrony and the same meter (Dalla Bella et al., PLoS One 8(8):e71945, 2013). Here, we examined if the interfering effect of music and speech distractors in a synchronization task is influenced by musical training. Musicians and non-musicians synchronized by producing finger force pulses to the sounds of a metronome while music and speech distractors were presented at one of various phase relationships with respect to the target. Distractors were familiar musical excerpts and fragments of children poetry comparable in terms of beat/stress isochrony. Music perturbed synchronization with the metronome more than speech did in both groups. However, the difference in synchronization error between music and speech distractors was smaller for musicians than for non-musicians, especially when the peak force of movement is reached. These findings point to a link between musical training and timing of sensorimotor synchronization when reacting to music and speech distractors.

Entities:  

Keywords:  Music interference; Musical training; Sensorimotor synchronization; Speech interference; Timing

Mesh:

Year:  2017        PMID: 28889178     DOI: 10.1007/s00221-017-5080-7

Source DB:  PubMed          Journal:  Exp Brain Res        ISSN: 0014-4819            Impact factor:   1.972


  47 in total

1.  Compensation for subliminal timing perturbations in perceptual-motor synchronization.

Authors:  B H Repp
Journal:  Psychol Res       Date:  2000

2.  Automaticity and voluntary control of phase correction following event onset shifts in sensorimotor synchronization.

Authors:  Bruno H Repp
Journal:  J Exp Psychol Hum Percept Perform       Date:  2002-04       Impact factor: 3.332

3.  The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending.

Authors:  C Drake; M R Jones; C Baruch
Journal:  Cognition       Date:  2000-12-15

Review 4.  More about the musical expertise of musically untrained listeners.

Authors:  Emmanuel Bigand
Journal:  Ann N Y Acad Sci       Date:  2003-11       Impact factor: 5.691

5.  Adaptation to tempo changes in sensorimotor synchronization: effects of intention, attention, and awareness.

Authors:  Bruno H Repp; Peter E Keller
Journal:  Q J Exp Psychol A       Date:  2004-04

6.  Sensorimotor synchronization and perception of timing: effects of music training and task experience.

Authors:  Bruno H Repp
Journal:  Hum Mov Sci       Date:  2010-01-13       Impact factor: 2.161

Review 7.  Understanding the benefits of musical training: effects on oscillatory brain activity.

Authors:  Laurel J Trainor; Antoine J Shahin; Larry E Roberts
Journal:  Ann N Y Acad Sci       Date:  2009-07       Impact factor: 5.691

8.  Perceiving musical stability: the effect of tonal structure, rhythm, and musical expertise.

Authors:  E Bigand
Journal:  J Exp Psychol Hum Percept Perform       Date:  1997-06       Impact factor: 3.332

9.  To bridge or not to bridge the multisensory time gap: bimanual coordination to sound and touch with temporal lags.

Authors:  C Roy; S Dalla Bella; J Lagarde
Journal:  Exp Brain Res       Date:  2016-09-21       Impact factor: 1.972

10.  Transfer of Training between Music and Speech: Common Processing, Attention, and Memory.

Authors:  Mireille Besson; Julie Chobert; Céline Marie
Journal:  Front Psychol       Date:  2011-05-12
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