Literature DB >> 2814476

Tonotopic organization of the auditory cortex: pitch versus frequency representation.

C Pantev1, M Hoke, B Lütkenhöner, K Lehnertz.   

Abstract

According to the place principles of the classical hearing theory, the physical entity frequency is encoded in the auditory periphery as place information (tonotopic representation), which is decoded in more central parts of the auditory system to form the subjective entity pitch. However, this relation is true only for pure-tone signals (spectral pitch); it can be quite different in the case of complex auditory stimuli (virtual pitch), thus requiring a multistage process for pitch formation. Neuromagnetic measurements showed that the tonotopic organization of the primary auditory cortex reflects the pitch rather than the frequency of the stimulus; that is, the pitch formation process must take place in subcortical regions.

Mesh:

Year:  1989        PMID: 2814476     DOI: 10.1126/science.2814476

Source DB:  PubMed          Journal:  Science        ISSN: 0036-8075            Impact factor:   47.728


  32 in total

1.  Pitch perception: a dynamical-systems perspective.

Authors:  J H Cartwright; D L González; O Piro
Journal:  Proc Natl Acad Sci U S A       Date:  2001-04-24       Impact factor: 11.205

2.  Sensitivity of human auditory evoked potentials to the harmonicity of complex tones: evidence for dissociated cortical processes of spectral and periodicity analysis.

Authors:  S J Jones
Journal:  Exp Brain Res       Date:  2003-04-17       Impact factor: 1.972

3.  Short-term habituation of auditory evoked potential and neuromagnetic field components in dependence of the interstimulus interval.

Authors:  Timm Rosburg; Karen Zimmerer; Ralph Huonker
Journal:  Exp Brain Res       Date:  2010-08-14       Impact factor: 1.972

4.  Neuromagnetic evidence for a featural distinction of English consonants: sensor- and source-space data.

Authors:  Mathias Scharinger; Jennifer Merickel; Joshua Riley; William J Idsardi
Journal:  Brain Lang       Date:  2010-12-23       Impact factor: 2.381

5.  Spatiotemporal characteristics of the neural activities processing consonant/dissonant tones in melody.

Authors:  Shinya Kuriki; Naoko Isahai; Asuka Ohtsuka
Journal:  Exp Brain Res       Date:  2004-12-02       Impact factor: 1.972

6.  The neuronal representation of pitch in primate auditory cortex.

Authors:  Daniel Bendor; Xiaoqin Wang
Journal:  Nature       Date:  2005-08-25       Impact factor: 49.962

Review 7.  Cortical representations of pitch in monkeys and humans.

Authors:  Daniel Bendor; Xiaoqin Wang
Journal:  Curr Opin Neurobiol       Date:  2006-07-13       Impact factor: 6.627

8.  Selective neurophysiologic responses to music in instrumentalists with different listening biographies.

Authors:  Elizabeth Hellmuth Margulis; Lauren M Mlsna; Ajith K Uppunda; Todd B Parrish; Patrick C M Wong
Journal:  Hum Brain Mapp       Date:  2009-01       Impact factor: 5.038

9.  Action-perception mismatch in tone-deafness.

Authors:  Psyche Loui; Frank H Guenther; Christoph Mathys; Gottfried Schlaug
Journal:  Curr Biol       Date:  2008-04-22       Impact factor: 10.834

10.  A map of periodicity orthogonal to frequency representation in the cat auditory cortex.

Authors:  Gerald Langner; Hubert R Dinse; Ben Godde
Journal:  Front Integr Neurosci       Date:  2009-11-16
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