Literature DB >> 28029556

A Formant Range Profile for Singers.

Ingo R Titze1, Lynn M Maxfield2, Megan C Walker2.   

Abstract

Vowel selection is important in differentiating between singing styles. The timbre of the vocal instrument, which is related to its frequency spectrum, is governed by both the glottal sound source and the vowel choices made by singers. Consequently, the ability to modify the vowel space is a measure of how successfully a singer can maintain a desired timbre across a range of pitches. Formant range profiles were produced as a means of quantifying this ability. Seventy-seven subjects (including trained and untrained vocalists) participated, producing vowels with three intended mouth shapes: (1) neutral or speech-like, (2) megaphone-shaped (wide open mouth), and (3) inverted-megaphone-shaped (widened oropharynx with moderate mouth opening). The first and second formant frequencies (F1 and F2) were estimated with fry phonation for each shape and values were plotted in F1-F2 space. By taking four vowels of a quadrangle /i, æ, a, u/, the resulting area was quantified in kHz2 (kHz squared) as a measure of the subject's ability to modify their vocal tract for spectral differences.
Copyright © 2017 The Voice Foundation. Published by Elsevier Inc. All rights reserved.

Entities:  

Keywords:  Belting; Formant range; Formants; Singing; Singing vowels

Mesh:

Year:  2016        PMID: 28029556      PMCID: PMC5409887          DOI: 10.1016/j.jvoice.2016.08.014

Source DB:  PubMed          Journal:  J Voice        ISSN: 0892-1997            Impact factor:   2.009


  7 in total

1.  Aerodynamic and acoustical measures of speech, operatic, and Broadway vocal styles in a professional female singer.

Authors:  R E Stone; Thomas F Cleveland; P Johan Sundberg; Jan Prokop
Journal:  J Voice       Date:  2003-09       Impact factor: 2.009

2.  Physiological and acoustic characteristics of the female Music Theater voice.

Authors:  Tracy Bourne; Maëva Garnier
Journal:  J Acoust Soc Am       Date:  2012-02       Impact factor: 1.840

3.  Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics.

Authors:  Eva Björkner
Journal:  J Voice       Date:  2007-05-07       Impact factor: 2.009

4.  Modeling source-filter interaction in belting and high-pitched operatic male singing.

Authors:  Ingo R Titze; Albert S Worley
Journal:  J Acoust Soc Am       Date:  2009-09       Impact factor: 1.840

5.  Toward a consensus on symbolic notation of harmonics, resonances, and formants in vocalization.

Authors:  Ingo R Titze; Ronald J Baken; Kenneth W Bozeman; Svante Granqvist; Nathalie Henrich; Christian T Herbst; David M Howard; Eric J Hunter; Dean Kaelin; Raymond D Kent; Jody Kreiman; Malte Kob; Anders Löfqvist; Scott McCoy; Donald G Miller; Hubert Noé; Ronald C Scherer; John R Smith; Brad H Story; Jan G Švec; Sten Ternström; Joe Wolfe
Journal:  J Acoust Soc Am       Date:  2015-05       Impact factor: 1.840

6.  Respiratory and Acoustical Differences Between Belt and Neutral Style of Singing.

Authors:  Johan Sundberg; Margareta Thalén
Journal:  J Voice       Date:  2015-03-26       Impact factor: 2.009

7.  Comparisons of pharynx, source, formant, and pressure characteristics in operatic and musical theatre singing.

Authors:  J Sundberg; P Gramming; J Lovetri
Journal:  J Voice       Date:  1993-12       Impact factor: 2.009

  7 in total
  1 in total

1.  Dark tone quality and vocal tract shaping in soprano song production: Insights from real-time MRI.

Authors:  Elisabeth Lynn; Shrikanth S Narayanan; Adam C Lammert
Journal:  JASA Express Lett       Date:  2021-07-09
  1 in total

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