| Literature DB >> 27630551 |
Annike Bekius1, Thomas E Cope2, Manon Grube3.
Abstract
This work assesses one specific aspect of the relationship between auditory rhythm cognition and language skill: regularity perception. In a group of 26 adult participants, native speakers of 11 different native languages, we demonstrate a strong and significant correlation between the ability to detect a "roughly" regular beat and rapid automatized naming (RAN) as a measure of language skill (Spearman's rho, -0.47, p < 0.01). There was no such robust relationship for the "mirror image" task of irregularity detection, i.e., the ability to detect ongoing small deviations from a regular beat. The correlation between RAN and regularity detection remained significant after partialling out performance on the irregularity detection task (rho, -0.41, p, 0.022), non-verbal IQ (rho, -0.37, p < 0.05), or musical expertise (rho, -0.31, p < 0.05). Whilst being consistent with the "shared resources model" in terms of rhythm as a common basis of language and music, evolutionarily as well as in individual development, the results also document how two related rhythm processing abilities relate differently to language skill. Specifically, the results support a universal relationship between rhythmic regularity detection and reading skill that is robust to accounting for differences in fluid intelligence and musical expertise, and transcends language-specific differences in speech rhythm.Entities:
Keywords: auditory; beat; cross-lingual; language; reading; regularity; rhythm; timing
Year: 2016 PMID: 27630551 PMCID: PMC5006315 DOI: 10.3389/fnhum.2016.00425
Source DB: PubMed Journal: Front Hum Neurosci ISSN: 1662-5161 Impact factor: 3.169
Individual scores and descriptive group statistics for all measures: fluid intelligence, musical expertise, the two auditory timing tasks, and rapid reading.
| 1 | Dan | Eng | Ger | 0 | – | – | 1 | 29 | 17.5 ± 2.2 | 3.8 ± 1.0 | 13.78 |
| 15 | Dut | Eng, Ger | 9 | 8 | Flute, piano | 4 | 31 | 19.3 ± 3.4 | 3.8 ± 1.2 | 13.25 | |
| 18 | Dut | Eng, Ger | Tur | 15 | 8 | Piano, vocal | 4 | 29 | 19.7 ± 4.1 | 3.3 ± 1.4 | 10.24 |
| 19 | Dut | Eng, Ger | 7 | 9 | Recorder, flute | 3 | 31 | 19.9 ± 4.6 | 6.0 ± 1.3 | 12.39 | |
| 4 | Eng | Spa, Ger | 3 | 11 | Piano | 2 | 31 | 15.2 ± 5.4 | 3.7 ± 1.4 | 11.02 | |
| 13 | Eng | Ger | Jap | 8 | 6 | Piano, vocal | 4 | 29 | 24.0 ± 3.4 | 2.3 ± 1.4 | 14.36 |
| 17 | Fre | Ger, Eng | 4 | 8 | Piano | 3 | 26 | 16.7 ± 4.7 | 4.7 ± 2.1 | 15.52 | |
| 3 | Ger | Eng | 20 | 5 | Cello | 5 | 28 | 21.6 ± 4.3 | 2.3 ± 0.7 | 13.13 | |
| 5 | Ger | Spa, Eng | Fre | 12 | 6 | Piano | 4 | 32 | 17.1 ± 5.1 | 2.3 ± 1.0 | 13.91 |
| 7 | Ger | Eng | Fre, Swe | 6 | 12 | Cello, guitar | 3 | 26 | 10.5 ± 2.2 | 4.5 ± 0.5 | 13.63 |
| 9 | Ger | Eng | 10 | 8 | Violin, piano, drums, guitar | 4 | 30 | 25.0 ± 3.5 | 3.3 ± 1.2 | 12.31 | |
| 11 | Ger | Eng | 9 | 10 | Piano | 4 | 32 | 20.0 ± 2.2 | 2.8 ± 1.0 | 10.29 | |
| 12 | Ger | Eng | 13 | 11 | Keyboard, guitar, vocal, choir | 4 | 26 | 11.1 ± 4.3 | 6.2 ± 1.2 | 15.52 | |
| 14 | Ger | Eng, Fre | 11 | 3 | Recorder, clarinet | 4 | 33 | 21.3 ± 3.8 | 8.5 ± 1.0 | 11.84 | |
| 21 | Ger | Eng | Fre, Spa | – | – | – | 1 | 30 | 14.7 ± 4.9 | 2.7 ± 1.2 | 14.40 |
| 23 | Ger | Eng | 0.5 | 13 | Piano | 2 | 29 | 18.1 ± 4.3 | 7.0 ± 1.5 | 13.17 | |
| 24 | Ger | Eng | 9 | 8 | Piano, drums | 4 | 32 | 23.2 ± 3.8 | 4.7 ± 2.0 | 14.27 | |
| 26 | Ger | Eng | 10 | 8 | Saxophone | 4 | 28 | 24.2 ± 3.8 | 2.0 ± 2.3 | 17.57 | |
| 20 | Gre | Ger, Eng, Fre | 10 | 8 | Guitar | 4 | 31 | 21.3 ± 4.7 | 2.7 ± 0.8 | 13.94 | |
| 6 | Ita | Eng | 2 | 10 | Not known | 2 | 28 | 9.9 ± 2.9 | 14.0 ± 4.8 | 14.57 | |
| 2 | Rom | Eng, Fre | 0 | – | – | 1 | 27 | 16.5 ± 0.7 | 4.2 ± 1.2 | 14.81 | |
| 22 | Slo | Eng, Cro | 18 | 13 | Guitar | 5 | 24 | 16.8 ± 2.0 | 4.3 ± 1.4 | 16.34 | |
| 25 | Slo, Ser, Cro | Eng, Ger, Spa | 18 | 4 | Violin, vocal, choir | 5 | 32 | 14.4 ± 6.6 | 4.2 ± 1.2 | 13.53 | |
| 16 | Spa | Eng, Ger, Cat | 0 | – | – | 1 | 28 | 15.3 ± 3.4 | 7.7 ± 1.9 | 19.11 | |
| 8 | Tur | Eng, Ger | Dut | 4 | 12 | Vocal, choir | 3 | 31 | 14.8 ± 3.0 | 4.0 ± 1.3 | 16.36 |
| 10 | Tur | Ger, Eng | 13 | 6 | Piano, guitar, drums | 5 | 31 | 27.1 ± 2.9 | 2.0 ± 1.1 | 9.92 | |
| Mean ± SD | 8.1 ± 6 | 8.5 ± 2.8 | 3.3 ± 1.3 | 29.3 ± 2.1 | 18.3 ± 4.5 | 4.5 ± 2.6 | 13.9 ± 2.3 | ||||
NB, for the irregularity detection task, lower threshold values indicate better performance, i.e., closer to the isochronous reference jitter of 0%, while for the regularity detection task, higher threshold values indicate better performance, i.e., closer to the irregular reference jitter of 30%. WASI, Wechsler Abbreviated Scale of Intelligence; RAN, Rapid Automatized Naming; SD, Standard Deviation. Languages: Cat, Catalonian; Cro, Croatian; Dan, Danish; Dut, Dutch; Eng, English; Fre, French; Ger, German; Ita, Italian; Jap, Japanese; Rom, Romanian; Slo, Slovenian; Ser, Serbian; Spa, Spanish; Swe, Swedish; Tur, Turkish.
Figure 1Schematic depiction of auditory timing tasks: (top) irregularity detection; (bottom) regularity detection. In both tasks, the target becomes more and more like the reference, only that this means in one case to listen to two highly regular sequences toward the end of the task (irregularity detection), and to two highly irregular sequences (regularity detection). Depicted are one exemplar reference and one target per task.
Correlation strength and significance between auditory timing abilities and rapid automatized naming skill, and the effects of musical expertise and fluid intelligence.
| Irregularity detection | 0.26, 0.101 | (0.03, 0.447) | (0.16, 0.225) | (−0.19, 0.181) | (0.19, 0.187) | (0.12, 0.292) | |
| Regularity detection | 0.32, 0.057 | −0.31, 0.071 |
Listed are Spearman's rho correlation coefficients and p-values for correlations of the two timing tasks with: the rapid reading measure (RAN, time needed in s), followed by the same, but with accounting for shared variance between the two timing tasks; the covariate of musical expertise (score from 1 to 5), followed by the partial one with RAN, after controlling for musical expertise; the covariate of fluid intelligence (WASI matrices scores), followed by the partial correlation with RAN, after controlling for fluid intelligence; and RAN, after partialing out musical expertise and matrices. NB: Some correlations have a negative and some a positive sign, depending on the combination of measures. Irregularity and RAN measures are “the lower the better”; regularity, musical expertise, and matrices measures are “the higher the better.” Whilst not all correlations are significant, all of them, even those that only show a trend, are consistent with the direction of performance being positively correlated. Note how strong and significant the correlation with RAN time needed is for regularity compared to irregularity detection thresholds. This difference becomes even clearer when partialing out (of the correlation with RAN) the shared variance for any of the other measures. Significance level was p < 0.05. In bold, significant. In brackets, Spearman's rho < 0.22 (explaining < 5% variance).
Figure 2Correlations between auditory timing abilities and reading skill. Left, regularity thresholds as a function of irregularity thresholds (significant: rho, −0.5, p < 0.001); middle, RAN scores as a function of irregularity detection thresholds (not significant: rho, 0.26, p > 0.1); right, RAN scores as a function of regularity detection thresholds (significant: rho, −0.47, p < 0.01).