| Literature DB >> 26150792 |
Abstract
There have been relatively few studies on sign language interaction carried out within the framework of conversation analysis (CA). Therefore, questions remain open about how the basic building blocks of social interaction such as turn, turn construction unit (TCU) and turn transition relevance place (TRP) can be understood and analyzed in sign language interaction. Recent studies have shown that signers regularly fine-tune their turn-beginnings to potential completion points of turns (Groeber, 2014; Groeber and Pochon-Berger, 2014; De Vos et al., 2015). Moreover, signers deploy practices for overlap resolution as in spoken interaction (McCleary and Leite, 2013). While these studies have highlighted the signers' orientation to the "one-at-a-time" principle described by Sacks et al. (1974), the present article adds to this line of research by investigating in more detail those sequential environments where overlaps occur. The contribution provides an overview of different types of overlap with a focus of the overlap's onset with regard to a current signer's turn. On the basis of a 33-min video-recording of a multi-party interaction between 4 female signers in Swiss German Sign Language (DSGS), the paper provides evidence for the orderliness of overlapping signing. Furthermore, the contribution demonstrates how participants collaborate in the situated construction of turns as a dynamic and emergent gestalt and how they interactionally achieve turn transition. Thereby the study adds to recent research in spoken and in signed interaction that proposes to rethink turn boundaries and turn transition as flexible and interactionally achieved.Entities:
Keywords: Swiss German Sign Language (Deutschschweizerische Gebärdensprache, DSGS); conversation analysis; overlap; sign language interactions; simultaneous signing; turn transition
Year: 2015 PMID: 26150792 PMCID: PMC4471732 DOI: 10.3389/fpsyg.2015.00741
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
Figure 1Segmentation of signs including preparation and transition phases.
Figure 2Segmentation of signs excluding preparation and transition phases.
Figure 3Different types of overlaps.
Categories of overlap onset tagged in ELAN.
| A | Start of new unit | At a first TRP, i.e., after the stroke of the potentially last sign | Both participant A and participant B launch a unit which is syntactically independent from what precedes (new syntactic construction); this can occur after a pause or straightforwardly after a TRP | 110/331 (33.2%) |
| B | Extension of unit | At a first TRP, i.e., after the stroke of the potentially last sign | Participant B launches a turn and participant A adds one or several signs after his initial TRP; these signs are dependent from the first part of the turn; this can occur after a pause or straightforwardly after a TRP | |
| C | End of unit | During the stroke of the last item of a turn | Participant A produces the last item of his turn (and then retracts his hands), participant B's turn-initial sign (stroke) overlaps the deployment phase (stroke) of that last item | 7/331 (2.1%) |
| D | Potential end of turn followed by continuation | During the stroke of an item that | Participant A produces an item that could be the last item of the turn, participant B's turn-initial sign (stroke) overlaps the deployment phase (stroke) of that potentially last item—but after that item A continues with additional signs or with a new (syntactically independent) unit | 146/331 (44.1%) |
| E | Midst of unit | After the beginning of a syntactic unit, not in potential transition space | Participant B launches a turn while participant A's turn is not yet reaching a possible completion | 35/331 (10.6%) |
| F | Undetermined | 33 (10%) | ||
| Total overlaps | 331 | |||
Figure 4Overlap onset at first possible completion.
Figure 5Annotation grid excerpt 1, corresponding to lines 07–09.
Annotation conventions.
| Translation_Nat | Tier for content translation of Nathalie's contribution |
| Gaze_1_Nat | Gaze conduct of Nathalie (participant 1) |
| RH_Gloss_1_Nat | Gloss for the sign produced on right hand by Nathalie |
| LH_Gloss_1_Nat | Gloss for the sign produced on left hand by Nathalie |
| BH_Gloss_1_Nat | Gloss for the sign produced on both hands by Nathalie (for two-handed signs) |
| RH_phas_Nat | Gesture phases for the sign produced on right hand |
| LH_phas_Nat | Gesture phases for the sign produced on left hand |
| BH_phas_Nat | Gesture phases for the sign produced on both hands |
| BALL | Gloss for standardized sign of DSGS |
| BALL-pl | Plural for BALL |
| IX(isa) | Pointing toward the person/object in brackets |
| B-A-L-L | Fingerspelling/Fingerspelled letters (B, A, L) |
| PALM-UP | A sign/gesture with palms oriented upwards |
| PALM-DOWN | A sign/gesture with palms oriented downwards |
| $HES | Hesitation or interrupted sign |
| D-HAND | Hand configuration of a fingerspelled D, but does not have a clear directional movement as a pointing |
| prod-man-needle | Productive sign (semi-lexical sign) that consists of a |
| -H | Hold of a sign/gesture |
| prep | Preparation of the sign/gesture, i.e., movement out of rest position |
| str | Stroke |
| retr | Retraction |
| -H | Hold |
| D, DD | To the right |
| G, GG | To the left |
| D: down | Down |
| den, nat, isa, mel | Toward Denise, Nathalie, Isaline or Melinda |
Figure 6Annotation grid excerpt 2, corresponding to lines 04–06.
Figure 7Overlap onset after first possible completion.
Figure 8Annotation grid excerpt 3, corresponding to lines 02–04.
Figure 9Overlap onset before first possible completion.
Figure 10Annotation grid excerpt 4, corresponding to lines 03–05.
Figure 11Annotation grid excerpt 5, corresponding to lines 02–06.
Excerpt 1 (Corpus InterGaze, 00:06:41)
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| 01 | Isa: | I HATE I NOT MAKE-UP prod-sub-eyes |
| 02 | HATE I | |
| 03 | Nat: | REALLY YOU REALLY |
| 04 | Mel: | [WHAT HATE WHAT |
| 05 | Nat: | [I LIKE prod-skizz-small eyes LIKE TIRED |
| 06 | (FALL-ASLEEP DEAD) I prod-skizz-small eyes WITHOUT | |
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| 01 | Isa: | I hate my eyes without make-up – they look so big, |
| 02 | I hate that | |
| 03 | Nat: | Oh really? |
| 04 | Mel: | [what does she hate? |
| 05 | Nat: | when I don't put make-up my eyes appear very small |
| 06 | I look like exhausted without make-up | |
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Excerpt 2 (Corpus InterGaze, 00:08:12)
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| 01 | Nat: | I MAINLY I STRESS I [I D-HAND |
| 02 | Mel: | [I TOO I |
| 03 | Nat: | [PALM-UP |
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| 01 | Nat: | I have them mainly due to stress |
| 02 | Mel: | me too |
| 03 | Nat: | [that's life |
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Excerpt 3 (Corpus InterGaze, 00:23.32)
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| 01 | Den: | SECOND SECURITY IMPORTANT GOOD |
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| SCHOOL I LEARN –A-B-U- | ||
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| 01 | Den: | security is important and very good |
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Excerpt 4 (Corpus InterGaze, 00:07:41)
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| 01 | Den: | (XX) THEREUNDER SEE YELLOW THERE IX(pimple) PALM-UP |
| 02 | [prod-man-squeeze pimple CAN NOT -H | |
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| 01 | Den: | (xx) one sees it's yellow |
| 02 | but I cannot squeeze it | |
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Excerpt 5 (Corpus InterGaze, 00:24:32)
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| 01 | Nat: | EXAMPLE (NAME) PALM-UP |
| 02 | GOOD PALM-UP | |
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| 01 | Nat: | for example (name) |
| 02 | (okay) | |
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