Literature DB >> 24383619

What makes an art expert? Emotion and evaluation in art appreciation.

Helmut Leder1, Gernot Gerger, David Brieber, Norbert Schwarz.   

Abstract

Why do some people like negative, or even disgusting and provocative artworks? Art expertise, believed to influence the interplay among cognitive and emotional processing underlying aesthetic experience, could be the answer. We studied how art expertise modulates the effect of positive-and negative-valenced artworks on aesthetic and emotional responses, measured with self-reports and facial electromyography (EMG). Unsurprisingly, emotionally-valenced art evoked coherent valence as well as corrugator supercilii and zygamoticus major activations. However, compared to non-experts, experts showed attenuated reactions, with less extreme valence ratings and corrugator supercilii activations and they liked negative art more. This pattern was also observed for a control set of International Affective Picture System (IAPS) pictures suggesting that art experts show general processing differences for visual stimuli. Thus, much in line with the Kantian notion that an aesthetic stance is emotionally distanced, art experts exhibited a distinct pattern of attenuated emotional responses.

Entities:  

Keywords:  Aesthetic evaluation; Art; Emotion; Expertise; Facial EMG; IAPS

Mesh:

Year:  2014        PMID: 24383619     DOI: 10.1080/02699931.2013.870132

Source DB:  PubMed          Journal:  Cogn Emot        ISSN: 0269-9931


  22 in total

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3.  Empathy, Einfühlung, and aesthetic experience: the effect of emotion contagion on appreciation of representational and abstract art using fEMG and SCR.

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5.  Aesthetic Preference for Negatively-Valenced Artworks Remains Stable in Pathological Aging: A Comparison Between Cognitively Impaired Patients With Alzheimer's Disease and Healthy Controls.

Authors:  Elisabeth Kliem; Michael Forster; Helmut Leder
Journal:  Front Psychol       Date:  2022-05-26

6.  Beholders' sensorimotor engagement enhances aesthetic rating of pictorial facial expressions of pain.

Authors:  Martina Ardizzi; F Ferroni; F Siri; M A Umiltà; A Cotti; M Calbi; E Fadda; D Freedberg; V Gallese
Journal:  Psychol Res       Date:  2018-08-03

7.  Creativity and aesthetic evaluation. Two proposals to improve the model of aesthetic dis/fluency.

Authors:  Gianluca Consoli
Journal:  Front Psychol       Date:  2015-01-08

8.  Artworks as dichotomous objects: implications for the scientific study of aesthetic experience.

Authors:  Robert Pepperell
Journal:  Front Hum Neurosci       Date:  2015-06-09       Impact factor: 3.169

9.  Titles change the esthetic appreciations of paintings.

Authors:  Gernot Gerger; Helmut Leder
Journal:  Front Hum Neurosci       Date:  2015-08-25       Impact factor: 3.169

10.  Emotional Creativity in Art Education: An Exploratory Analysis and Research Trends.

Authors:  Mariana-Daniela González-Zamar; Emilio Abad-Segura
Journal:  Int J Environ Res Public Health       Date:  2021-06-08       Impact factor: 3.390

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