| Literature DB >> 24228691 |
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Year: 2013 PMID: 24228691 PMCID: PMC3817307 DOI: 10.1186/1741-7007-11-108
Source DB: PubMed Journal: BMC Biol ISSN: 1741-7007 Impact factor: 7.431
Figure 1Bats navigate and identify prey by echolocation.
Figure 2Nonhuman primate vocal repertoires typically contain a relatively small number of different call types and little evidence of syntax. (a) The right-hand panel shows a spectrogram of a long sequence of 'grunt’ vocalizations produced by an adult male baboon while approaching and attempting to handle a young infant. Although this is a long sequence of vocalizations, there is no variation in the calls produced throughout the bout. Rather, the same call is simply repeated over and over many times. (b) A spectrogram of a long bout of distress calls produced by a juvenile baboon that has been forcibly ejected from a feeding site. In this case, the young baboon produces a long stream of broad-band, noisy vocalizations with some more harmonically structured vocalizations interspersed towards the end of the bout. The vocalizations in this bout exhibit tremendous structural variety, they are not simply a single type of call repeated over and over. However, the sequence is notable for being completely unpatterned, or chaotic, and thus evincing no evidence of syntax, which nevertheless may be functional in the contexts in which these calls are produced [9,10].
Figure 3The signal repertoire of the house wren. In contrast to the signals of the baboons illustrated in Figure 2, the signal repertoire of the house wren (Troglodytes aedon) (a, left panel), a common songbird, is diverse and highly structured [15]. In this example, from a population from Western Canada, the repertoire consists of 27 different types of syllable (a, right panel), where each syllable type is composed of one, two, or in some cases three different individual notes. These syllables are then strung together in longer songs that involve the concatenation of multiple different syllable types. Within a song, each syllable type can be repeated several times before switching to the next syllable type. Further, there are consistent patterns in which syllable types co-occur within songs and in what order they typically appear. (b) Templates (right panel) for the 10 most common song types for Western Canadian wrens, three of which are illustrated in the spectrograms in the left panel. The values between syllable types within each song correspond to the transition probabilities between successive syllable types in a song. Regularities in the syllable constitution and syllable transition patterns of song types constitutes a rudimentary syntax.