Literature DB >> 23757308

Absolute pitch may not be so absolute.

Stephen C Hedger1, Shannon L M Heald, Howard C Nusbaum.   

Abstract

Most people cannot name the musical note that corresponds to a particular pitch without being provided a reference note, but those people with absolute pitch (AP) can do this accurately. Early experience during a developmental period is often thought to convey identity and stability of the note categories in people with AP, but the plasticity of these categories has not been investigated. Here we provide the first evidence that the note categories of adults with AP can change with listening experience. Participants with AP showed shifts in perception in direct accord with prior exposure to music detuned by a fraction of a semitone. This suggests that the apparent stability of AP categories is conferred not by early experience but rather by the cultural norms adopted for tuning music.

Entities:  

Keywords:  auditory perception; music; perception

Mesh:

Year:  2013        PMID: 23757308     DOI: 10.1177/0956797612473310

Source DB:  PubMed          Journal:  Psychol Sci        ISSN: 0956-7976


  11 in total

1.  Telling in-tune from out-of-tune: widespread evidence for implicit absolute intonation.

Authors:  Stephen C Van Hedger; Shannon L M Heald; Alex Huang; Brooke Rutstein; Howard C Nusbaum
Journal:  Psychon Bull Rev       Date:  2017-04

2.  Songbirds use spectral shape, not pitch, for sound pattern recognition.

Authors:  Micah R Bregman; Aniruddh D Patel; Timothy Q Gentner
Journal:  Proc Natl Acad Sci U S A       Date:  2016-01-25       Impact factor: 11.205

3.  Perceptual Plasticity for Auditory Object Recognition.

Authors:  Shannon L M Heald; Stephen C Van Hedger; Howard C Nusbaum
Journal:  Front Psychol       Date:  2017-05-23

4.  Neurophysiological and Behavioral Responses of Mandarin Lexical Tone Processing.

Authors:  Yan H Yu; Valerie L Shafer; Elyse S Sussman
Journal:  Front Neurosci       Date:  2017-03-06       Impact factor: 4.677

Review 5.  On the Perceptual Subprocess of Absolute Pitch.

Authors:  Seung-Goo Kim; Thomas R Knösche
Journal:  Front Neurosci       Date:  2017-10-06       Impact factor: 4.677

6.  A Tendency Towards Details? Inconsistent Results on Auditory and Visual Local-To-Global Processing in Absolute Pitch Musicians.

Authors:  Teresa Wenhart; Eckart Altenmüller
Journal:  Front Psychol       Date:  2019-01-22

7.  Absolute pitch can be learned by some adults.

Authors:  Stephen C Van Hedger; Shannon L M Heald; Howard C Nusbaum
Journal:  PLoS One       Date:  2019-09-24       Impact factor: 3.240

8.  Pitch and plasticity: insights from the pitch matching of chords by musicians with absolute and relative pitch.

Authors:  Neil M McLachlan; David J T Marco; Sarah J Wilson
Journal:  Brain Sci       Date:  2013-12-03

9.  Auditory category knowledge in experts and novices.

Authors:  Shannon L M Heald; Stephen C Van Hedger; Howard C Nusbaum
Journal:  Front Neurosci       Date:  2014-08-22       Impact factor: 4.677

10.  Individual differences in human frequency-following response predict pitch labeling ability.

Authors:  Katherine S Reis; Shannon L M Heald; John P Veillette; Stephen C Van Hedger; Howard C Nusbaum
Journal:  Sci Rep       Date:  2021-07-12       Impact factor: 4.379

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