Literature DB >> 22311640

Event-related potentials to changes of rhythmic unit: differences between musicians and nonmusicians.

Pekcan Ungan1, Türev Berki, Nurhan Erbil, Suha Yagcioglu, Mehmet Yüksel, Rezzan Utkucal.   

Abstract

We investigated whether the expected differences between musicians and nonmusicians in their ability to detect a rhythm change were reflected in their event-related potentials (ERPs) and, if reflected, how these ERP differences associated with behavioral indices. Stimuli were three consecutive and equally spaced drum beats followed by a rest period to form a rhythmic unit (RU). By using three different inter-beat periods, three RUs were produced. Combinations of these RUs served as the "target/standard" pairs of an oddball sequence. In four different experiments, we tried two RU-change types each with two levels of detection difficulty. ERPs were recorded from the F3, Fz, F4, Cz and Pz scalp sites of 12 musicians and 12 nonmusicians. RT, hit and false-alarm rates were also measured. The data have shown with high statistical confidence that, associated with the musicians' better detection performance and shorter RTs, their ERP P3 to rhythm changes peaked significantly earlier and was significantly larger compared to nonmusicians. Intergroup ERP differences allowed above 90% correct classification. This study has also showed that not only violations of relatively complex musical regularities, but very simple rhythmic unit alterations could lead to significant P3 differences between musicians and nonmusicians. The high accuracy of the musician/nonmusician classification based only on their P3 data strongly supported the hypothesis that sensory and/or cognitive advantage of musicians in detecting rhythm changes does reflect in their P3.

Mesh:

Year:  2012        PMID: 22311640     DOI: 10.1007/s10072-012-0961-9

Source DB:  PubMed          Journal:  Neurol Sci        ISSN: 1590-1874            Impact factor:   3.307


  38 in total

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3.  Rhythm perception: Speeding up or slowing down affects different subcomponents of the ERP P3 complex.

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Review 4.  Updating P300: an integrative theory of P3a and P3b.

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5.  Top-down modulation of auditory processing: effects of sound context, musical expertise and attentional focus.

Authors:  M Tervaniemi; S Kruck; W De Baene; E Schröger; K Alter; A D Friederici
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7.  Processing syntactic relations in language and music: an event-related potential study.

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8.  Rhythmic training decreases latency-jitter of omission evoked potentials (OEPs) in humans.

Authors:  Marijtje L A Jongsma; Rodrigo Quian Quiroga; Clementina M van Rijn
Journal:  Neurosci Lett       Date:  2004-01-30       Impact factor: 3.046

9.  Target-to-target interval versus probability effects on P300 in one- and two-tone tasks.

Authors:  R J Croft; C J Gonsalvez; C Gabriel; R J Barry
Journal:  Psychophysiology       Date:  2003-05       Impact factor: 4.016

10.  People with absolute pitch process tones without producing a p300.

Authors:  M Klein; M G Coles; E Donchin
Journal:  Science       Date:  1984-03-23       Impact factor: 47.728

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  3 in total

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2.  Contralateral Noise Stimulation Delays P300 Latency in School-Aged Children.

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Journal:  PLoS One       Date:  2016-02-05       Impact factor: 3.240

Review 3.  Enhanced auditory evoked potentials in musicians: A review of recent findings.

Authors:  Himanshu Kumar Sanju; Prawin Kumar
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  3 in total

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