Literature DB >> 21635341

A probabilistic model of melody perception.

David Temperley1.   

Abstract

This study presents a probabilistic model of melody perception, which infers the key of a melody and also judges the probability of the melody itself. The model uses Bayesian reasoning: For any "surface" pattern and underlying "structure," we can infer the structure maximizing P(structure|surface) based on knowledge of P(surface, structure). The probability of the surface can then be calculated as ∑ P(surface, structure), summed over all structures. In this case, the surface is a pattern of notes; the structure is a key. A generative model is proposed, based on three principles: (a) melodies tend to remain within a narrow pitch range; (b) note-to-note intervals within a melody tend to be small; and (c) notes tend to conform to a distribution (or key profile) that depends on the key. The model is tested in three ways. First, it is tested on its ability to identify the keys of a set of folksong melodies. Second, it is tested on a melodic expectation task in which it must judge the probability of different notes occurring given a prior context; these judgments are compared with perception data from a melodic expectation experiment. Finally, the model is tested on its ability to detect incorrect notes in melodies by assigning them lower probabilities than the original versions. 2008 Cognitive Science Society, Inc.

Year:  2008        PMID: 21635341     DOI: 10.1080/03640210701864089

Source DB:  PubMed          Journal:  Cogn Sci        ISSN: 0364-0213


  10 in total

1.  Expectations for melodic contours transcend pitch.

Authors:  Jackson E Graves; Christophe Micheyl; Andrew J Oxenham
Journal:  J Exp Psychol Hum Percept Perform       Date:  2014-11-03       Impact factor: 3.332

2.  Surface and structural effects of pitch and time on global melodic expectancies.

Authors:  Jon B Prince; Leong-Min Loo
Journal:  Psychol Res       Date:  2016-01-12

Review 3.  Music in the brain.

Authors:  Peter Vuust; Ole A Heggli; Karl J Friston; Morten L Kringelbach
Journal:  Nat Rev Neurosci       Date:  2022-03-29       Impact factor: 38.755

4.  From domain-generality to domain-sensitivity: 4-month-olds learn an abstract repetition rule in music that 7-month-olds do not.

Authors:  Colin Dawson; LouAnn Gerken
Journal:  Cognition       Date:  2009-03-31

5.  Surprise! Infants consider possible bases of generalization for a single input example.

Authors:  LouAnn Gerken; Colin Dawson; Razanne Chatila; Josh Tenenbaum
Journal:  Dev Sci       Date:  2014-04-07

6.  Music-selective neural populations arise without musical training.

Authors:  Dana Boebinger; Sam V Norman-Haignere; Josh H McDermott; Nancy Kanwisher
Journal:  J Neurophysiol       Date:  2021-02-17       Impact factor: 2.974

7.  Reconstructing Tone Sequences from Functional Magnetic Resonance Imaging Blood-Oxygen Level Dependent Responses within Human Primary Auditory Cortex.

Authors:  Kelly H Chang; Jessica M Thomas; Geoffrey M Boynton; Ione Fine
Journal:  Front Psychol       Date:  2017-11-14

8.  Cortical encoding of melodic expectations in human temporal cortex.

Authors:  Claire Pelofi; Roberta Bianco; Giovanni M Di Liberto; Prachi Patel; Ashesh D Mehta; Jose L Herrero; Alain de Cheveigné; Shihab Shamma; Nima Mesgarani
Journal:  Elife       Date:  2020-03-03       Impact factor: 8.140

9.  The acquisition process of musical tonal schema: implications from connectionist modeling.

Authors:  Rie Matsunaga; Pitoyo Hartono; Jun-Ichi Abe
Journal:  Front Psychol       Date:  2015-09-10

10.  Diversity in pitch perception revealed by task dependence.

Authors:  Malinda J McPherson; Josh H McDermott
Journal:  Nat Hum Behav       Date:  2017-12-11
  10 in total

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