Literature DB >> 19884146

Perceiving emotion: towards a realistic understanding of the task.

Roddy Cowie1.   

Abstract

A decade ago, perceiving emotion was generally equated with taking a sample (a still photograph or a few seconds of speech) that unquestionably signified an archetypal emotional state, and attaching the appropriate label. Computational research has shifted that paradigm in multiple ways. Concern with realism is key. Emotion generally colours ongoing action and interaction: describing that colouring is a different problem from categorizing brief episodes of relatively pure emotion. Multiple challenges flow from that. Describing emotional colouring is a challenge in itself. One approach is to use everyday categories describing states that are partly emotional and partly cognitive. Another approach is to use dimensions. Both approaches need ways to deal with gradual changes over time and mixed emotions. Attaching target descriptions to a sample poses problems of both procedure and validation. Cues are likely to be distributed both in time and across modalities, and key decisions may depend heavily on context. The usefulness of acted data is limited because it tends not to reproduce these features. By engaging with these challenging issues, research is not only achieving impressive results, but also offering a much deeper understanding of the problem.

Mesh:

Year:  2009        PMID: 19884146      PMCID: PMC2781885          DOI: 10.1098/rstb.2009.0139

Source DB:  PubMed          Journal:  Philos Trans R Soc Lond B Biol Sci        ISSN: 0962-8436            Impact factor:   6.237


  25 in total

1.  Studying the dynamics of emotional expression using synthesized facial muscle movements.

Authors:  T Wehrle; S Kaiser; S Schmidt; K R Scherer
Journal:  J Pers Soc Psychol       Date:  2000-01

2.  Perceiving affect from arm movement.

Authors:  F E Pollick; H M Paterson; A Bruderlin; A J Sanford
Journal:  Cognition       Date:  2001-12

Review 3.  Facial and vocal expressions of emotion.

Authors:  James A Russell; Jo-Anne Bachorowski; Jose-Miguel Fernandez-Dols
Journal:  Annu Rev Psychol       Date:  2002-06-10       Impact factor: 24.137

Review 4.  Communication of emotions in vocal expression and music performance: different channels, same code?

Authors:  Patrik N Juslin; Petri Laukka
Journal:  Psychol Bull       Date:  2003-09       Impact factor: 17.737

5.  Perceptual evaluation of voice quality and its correlation with acoustic measurements.

Authors:  Tarika Bhuta; Linda Patrick; James D Garnett
Journal:  J Voice       Date:  2004-09       Impact factor: 2.009

6.  Modeling tone and intonation in Mandarin and English as a process of target approximation.

Authors:  Santitham Prom-on; Yi Xu; Bundit Thipakorn
Journal:  J Acoust Soc Am       Date:  2009-01       Impact factor: 1.840

7.  Emotion recognition: the role of facial movement and the relative importance of upper and lower areas of the face.

Authors:  J N Bassili
Journal:  J Pers Soc Psychol       Date:  1979-11

8.  Facial motion in the perception of faces and of emotional expression.

Authors:  J N Bassili
Journal:  J Exp Psychol Hum Percept Perform       Date:  1978-08       Impact factor: 3.332

9.  Perceptual and acoustic correlates of abnormal voice qualities.

Authors:  B Hammarberg; B Fritzell; J Gauffin; J Sundberg; L Wedin
Journal:  Acta Otolaryngol       Date:  1980 Nov-Dec       Impact factor: 1.494

Review 10.  Human facial expressions as adaptations: Evolutionary questions in facial expression research.

Authors:  K L Schmidt; J F Cohn
Journal:  Am J Phys Anthropol       Date:  2001       Impact factor: 2.868

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  4 in total

1.  Designing for emotion (among other things).

Authors:  William Gaver
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2009-12-12       Impact factor: 6.237

2.  Computation of emotions in man and machines.

Authors:  Peter Robinson; Rana el Kaliouby
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2009-12-12       Impact factor: 6.237

Review 3.  What is the Value of Embedding Artificial Emotional Prosody in Human-Computer Interactions? Implications for Theory and Design in Psychological Science.

Authors:  Rachel L C Mitchell; Yi Xu
Journal:  Front Psychol       Date:  2015-11-12

4.  The Ryerson Audio-Visual Database of Emotional Speech and Song (RAVDESS): A dynamic, multimodal set of facial and vocal expressions in North American English.

Authors:  Steven R Livingstone; Frank A Russo
Journal:  PLoS One       Date:  2018-05-16       Impact factor: 3.240

  4 in total

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