Literature DB >> 19633353

Enhanced production and perception of musical pitch in tone language speakers.

Peter Q Pfordresher1, Steven Brown.   

Abstract

Individuals differ markedly with respect to how well they can imitate pitch through singing and in their ability to perceive pitch differences. We explored whether the use of pitch in one's native language can account for some of the differences in these abilities. Results from two studies suggest that individuals whose native language is a tone language, in which pitch contributes to word meaning, are better able to imitate (through singing) and perceptually discriminate musical pitch. These findings support the view that language acquisition fine-tunes the processing of critical auditory dimensions in the speech signal and that this fine-tuning can be carried over into nonlinguistic domains.

Mesh:

Year:  2009        PMID: 19633353     DOI: 10.3758/APP.71.6.1385

Source DB:  PubMed          Journal:  Atten Percept Psychophys        ISSN: 1943-3921            Impact factor:   2.199


  34 in total

1.  Musicians and tone-language speakers share enhanced brainstem encoding but not perceptual benefits for musical pitch.

Authors:  Gavin M Bidelman; Jackson T Gandour; Ananthanarayan Krishnan
Journal:  Brain Cogn       Date:  2011-08-10       Impact factor: 2.310

2.  Perception of Melodic Contour and Intonation in Autism Spectrum Disorder: Evidence From Mandarin Speakers.

Authors:  Jun Jiang; Fang Liu; Xuan Wan; Cunmei Jiang
Journal:  J Autism Dev Disord       Date:  2015-07

3.  The impact of musical training and tone language experience on talker identification.

Authors:  Xin Xie; Emily Myers
Journal:  J Acoust Soc Am       Date:  2015-01       Impact factor: 1.840

4.  Pitch perception and production in congenital amusia: Evidence from Cantonese speakers.

Authors:  Fang Liu; Alice H D Chan; Valter Ciocca; Catherine Roquet; Isabelle Peretz; Patrick C M Wong
Journal:  J Acoust Soc Am       Date:  2016-07       Impact factor: 1.840

5.  Musical experts recruit action-related neural structures in harmonic anomaly detection: evidence for embodied cognition in expertise.

Authors:  Jason Sherwin; Paul Sajda
Journal:  Brain Cogn       Date:  2013-09-18       Impact factor: 2.310

6.  Auditory imagery and the poor-pitch singer.

Authors:  Peter Q Pfordresher; Andrea R Halpern
Journal:  Psychon Bull Rev       Date:  2013-08

7.  Effects of culture on musical pitch perception.

Authors:  Patrick C M Wong; Valter Ciocca; Alice H D Chan; Louisa Y Y Ha; Li-Hai Tan; Isabelle Peretz
Journal:  PLoS One       Date:  2012-04-11       Impact factor: 3.240

8.  Congenital Amusia (or Tone-Deafness) Interferes with Pitch Processing in Tone Languages.

Authors:  Barbara Tillmann; Denis Burnham; Sebastien Nguyen; Nicolas Grimault; Nathalie Gosselin; Isabelle Peretz
Journal:  Front Psychol       Date:  2011-06-17

9.  Speech and music shape the listening brain: evidence for shared domain-general mechanisms.

Authors:  Salomi S Asaridou; James M McQueen
Journal:  Front Psychol       Date:  2013-06-04

10.  Tone language speakers and musicians share enhanced perceptual and cognitive abilities for musical pitch: evidence for bidirectionality between the domains of language and music.

Authors:  Gavin M Bidelman; Stefanie Hutka; Sylvain Moreno
Journal:  PLoS One       Date:  2013-04-02       Impact factor: 3.240

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