Literature DB >> 18619482

Ambiguities and conventions in the perception of visual art.

Pascal Mamassian1.   

Abstract

Vision perception is ambiguous and visual arts play with these ambiguities. While perceptual ambiguities are resolved with prior constraints, artistic ambiguities are resolved by conventions. Is there a relationship between priors and conventions? This review surveys recent work related to these ambiguities in composition, spatial scale, illumination and color, three-dimensional layout, shape, and movement. While most conventions seem to have their roots in perceptual constraints, those conventions that differ from priors may help us appreciate how visual arts differ from everyday perception.

Entities:  

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Year:  2008        PMID: 18619482     DOI: 10.1016/j.visres.2008.06.010

Source DB:  PubMed          Journal:  Vision Res        ISSN: 0042-6989            Impact factor:   1.886


  16 in total

1.  Prior knowledge of illumination for 3D perception in the human brain.

Authors:  Peggy Gerardin; Zoe Kourtzi; Pascal Mamassian
Journal:  Proc Natl Acad Sci U S A       Date:  2010-08-30       Impact factor: 11.205

Review 2.  Do we enjoy what we sense and perceive? A dissociation between aesthetic appreciation and basic perception of environmental objects or events.

Authors:  A K M Rezaul Karim; Michael J Proulx; Alexandra A de Sousa; Lora T Likova
Journal:  Cogn Affect Behav Neurosci       Date:  2022-05-19       Impact factor: 3.526

3.  Attractiveness is influenced by the relationship between postures of the viewer and the viewed person.

Authors:  Marco Bertamini; Christopher Byrne; Kate M Bennett
Journal:  Iperception       Date:  2013-05-21

4.  Putting reward in art: A tentative prediction error account of visual art.

Authors:  Sander Van de Cruys; Johan Wagemans
Journal:  Iperception       Date:  2011-12-15

5.  The effect of left-right reversal on film: Watching Kurosawa reversed.

Authors:  Marco Bertamini; Carole Bode; Nicola Bruno
Journal:  Iperception       Date:  2011-09-15

6.  Is this a "Fettecke" or just a "greasy corner"? About the capability of laypersons to differentiate between art and non-art via object's originality.

Authors:  Manuela Haertel; Claus-Christian Carbon
Journal:  Iperception       Date:  2014-11-28

7.  Self-portraits: smartphones reveal a side bias in non-artists.

Authors:  Nicola Bruno; Marco Bertamini
Journal:  PLoS One       Date:  2013-02-06       Impact factor: 3.240

8.  Vision and art: an interdisciplinary approach to neuroscience education.

Authors:  Rosa Lafer-Sousa; Bevil R Conway
Journal:  J Undergrad Neurosci Educ       Date:  2009-10-15

9.  When Challenging Art Gets Liked: Evidences for a Dual Preference Formation Process for Fluent and Non-Fluent Portraits.

Authors:  Benno Belke; Helmut Leder; Claus-Christian Carbon
Journal:  PLoS One       Date:  2015-08-26       Impact factor: 3.240

10.  Image ambiguity and fluency.

Authors:  Martina Jakesch; Helmut Leder; Michael Forster
Journal:  PLoS One       Date:  2013-09-05       Impact factor: 3.240

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