Literature DB >> 18534101

Implicit and explicit features of paintings.

Slobodan Marković1, Ana Radonjić.   

Abstract

Implicit features of the paintings are properties that are imposed by the observer (e.g. how pleasant, interesting, tense a painting appears), whereas explicit features refer to properties that can be directly perceived (form, color, depth, etc.). The aim of Experiments 1 and 2 was to investigate the underlying structure of implicit and explicit features of paintings using the factor analysis of elementary judgments. In the preliminary studies, representative sets of paintings and elementary implicit and explicit dimensions (in the form of bipolar scales) were selected. Four implicit factors were extracted: Regularity, Relaxation, Hedonic Tone and Arousal. Four explicit factors were extracted: Form, Color, Space and Complexity. The following significant correlations between implicit and explicit factors were obtained: Regularity-Form, Regularity-Space, Hedonic Tone-Form and Arousal-Complexity. In Experiment 3 the role of implicit and explicit factors in similarity-dissimilarity ratings was specified. Significant correlations between the position of paintings in MDS space and mean judgments of explicit factors Color, Space and Complexity and implicit factor Relaxation were obtained, suggesting that similarity ratings of paintings are primarily based on explicit features. The causal relation of explicit and implicit features is discussed.

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Year:  2008        PMID: 18534101     DOI: 10.1163/156856808784532563

Source DB:  PubMed          Journal:  Spat Vis        ISSN: 0169-1015


  6 in total

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2.  Aesthetic valence of visual illusions.

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Journal:  Iperception       Date:  2012-02-29

3.  Components of aesthetic experience: aesthetic fascination, aesthetic appraisal, and aesthetic emotion.

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Journal:  Iperception       Date:  2012-01-12

4.  Evaluating Abstract Art: Relation between Term Usage, Subjective Ratings, Image Properties and Personality Traits.

Authors:  Nathalie Lyssenko; Christoph Redies; Gregor U Hayn-Leichsenring
Journal:  Front Psychol       Date:  2016-06-28

5.  The Perceptual and Aesthetic Aspects of the Music-Paintings Congruence.

Authors:  Katarina Rančić; Slobodan Marković
Journal:  Vision (Basel)       Date:  2019-11-20

6.  Pupillary response to representations of light in paintings.

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Journal:  J Vis       Date:  2020-10-01       Impact factor: 2.240

  6 in total

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