Literature DB >> 18396925

Dial A440 for absolute pitch: absolute pitch memory by non-absolute pitch possessors.

Nicholas A Smith, Mark A Schmuckler.   

Abstract

Listeners without absolute (or "perfect") pitch have difficulty identifying or producing isolated musical pitches from memory. Instead, they process the relative pattern of pitches, which remains invariant across pitch transposition. Musically untrained non-absolute pitch possessors demonstrated absolute pitch memory for the telephone dial tone, a stimulus that is always heard at the same absolute frequency. Listeners accurately classified pitch-shifted versions of the dial tone as "normal," "higher than normal" or "lower than normal." However, the role of relative pitch processing was also evident, in that listeners' pitch judgments were also sensitive to the frequency range of stimuli.

Mesh:

Year:  2008        PMID: 18396925     DOI: 10.1121/1.2896106

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  12 in total

1.  Remembering the melody and timbre, forgetting the key and tempo.

Authors:  E Glenn Schellenberg; Peter Habashi
Journal:  Mem Cognit       Date:  2015-10

2.  Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.

Authors:  E Glenn Schellenberg; Stephanie M Stalinski; Bradley M Marks
Journal:  Psychol Res       Date:  2013-02-06

3.  Voice disadvantage effects in absolute and relative pitch judgments.

Authors:  Zi Gao; Andrew J Oxenham
Journal:  J Acoust Soc Am       Date:  2022-04       Impact factor: 2.482

4.  Short- and long-term memory for pitch and non-pitch contours: Insights from congenital amusia.

Authors:  Jackson E Graves; Agathe Pralus; Lesly Fornoni; Andrew J Oxenham; Anne Caclin; Barbara Tillmann
Journal:  Brain Cogn       Date:  2019-09-20       Impact factor: 2.310

5.  Absolute Pitch and Synesthesia: Two Sides of the Same Coin? Shared and Distinct Neural Substrates of Music Listening.

Authors:  Psyche Loui; Anna Zamm; Gottfried Schlaug
Journal:  ICMPC       Date:  2012

6.  Animal Pitch Perception: Melodies and Harmonies.

Authors:  Marisa Hoeschele
Journal:  Comp Cogn Behav Rev       Date:  2017

7.  Absolute pitch: effects of timbre on note-naming ability.

Authors:  Patrícia Vanzella; E Glenn Schellenberg
Journal:  PLoS One       Date:  2010-11-11       Impact factor: 3.240

Review 8.  On the Perceptual Subprocess of Absolute Pitch.

Authors:  Seung-Goo Kim; Thomas R Knösche
Journal:  Front Neurosci       Date:  2017-10-06       Impact factor: 4.677

9.  Pitch and plasticity: insights from the pitch matching of chords by musicians with absolute and relative pitch.

Authors:  Neil M McLachlan; David J T Marco; Sarah J Wilson
Journal:  Brain Sci       Date:  2013-12-03

10.  Auditory category knowledge in experts and novices.

Authors:  Shannon L M Heald; Stephen C Van Hedger; Howard C Nusbaum
Journal:  Front Neurosci       Date:  2014-08-22       Impact factor: 4.677

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