Literature DB >> 18299121

Auditory recognition expertise and domain specificity.

Jean-Pierre Chartrand1, Isabelle Peretz, Pascal Belin.   

Abstract

Auditory recognition expertise refers to one's ability to accurately and rapidly identify individual sound sources within a homogeneous class of stimuli. Compared to the study of visual expertise, the field of expertise in sound source recognition has been neglected. Different types of visual experts have been studied extensively both in behavioral and neuroimaging studies, leading to a vigorous debate about the domain specificity of face perception. In the present paper, we briefly review what is known about visual expertise and propose that the same framework can be used in the auditory domain to ask the question of domain specificity for the processing and neural correlates of the human voice. We suggest that questions like "are voices special ?" can be partially answered with neuroimaging studies of "auditory experts", such as musicians and bird experts, who rely on subtle acoustical parameters to identify auditory exemplars at a subordinate level. Future studies of auditory experts cannot only serve to answer questions related to the neural correlates of voice perception, but also broaden the understanding of the auditory system.

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Year:  2008        PMID: 18299121     DOI: 10.1016/j.brainres.2008.01.014

Source DB:  PubMed          Journal:  Brain Res        ISSN: 0006-8993            Impact factor:   3.252


  11 in total

1.  Sensory and semantic category subdivisions within the anterior temporal lobes.

Authors:  Laura M Skipper; Lars A Ross; Ingrid R Olson
Journal:  Neuropsychologia       Date:  2011-08-22       Impact factor: 3.139

Review 2.  Processing of communication sounds: contributions of learning, memory, and experience.

Authors:  Amy Poremba; James Bigelow; Breein Rossi
Journal:  Hear Res       Date:  2013-06-18       Impact factor: 3.208

3.  Change detection in complex auditory scenes is predicted by auditory memory, pitch perception, and years of musical training.

Authors:  Christina M Vanden Bosch der Nederlanden; Che'Renee Zaragoza; Angie Rubio-Garcia; Evan Clarkson; Joel S Snyder
Journal:  Psychol Res       Date:  2018-08-17

4.  Autism, emotion recognition and the mirror neuron system: the case of music.

Authors:  Istvan Molnar-Szakacs; Martha J Wang; Elizabeth A Laugeson; Katie Overy; Wai-Ling Wu; Judith Piggot
Journal:  Mcgill J Med       Date:  2009-11-16

5.  Musicians show general enhancement of complex sound encoding and better inhibition of irrelevant auditory change in music: an ERP study.

Authors:  Natalya Kaganovich; Jihyun Kim; Caryn Herring; Jennifer Schumaker; Megan Macpherson; Christine Weber-Fox
Journal:  Eur J Neurosci       Date:  2013-01-10       Impact factor: 3.386

6.  Sadness is unique: neural processing of emotions in speech prosody in musicians and non-musicians.

Authors:  Mona Park; Evgeny Gutyrchik; Lorenz Welker; Petra Carl; Ernst Pöppel; Yuliya Zaytseva; Thomas Meindl; Janusch Blautzik; Maximilian Reiser; Yan Bao
Journal:  Front Hum Neurosci       Date:  2015-01-30       Impact factor: 3.169

7.  Perceiving individuality in harpsichord performance.

Authors:  Réka Koren; Bruno Gingras
Journal:  Front Psychol       Date:  2014-02-24

8.  Auditory reserve and the legacy of auditory experience.

Authors:  Erika Skoe; Nina Kraus
Journal:  Brain Sci       Date:  2014-11-14

9.  Studying real-world perceptual expertise.

Authors:  Jianhong Shen; Michael L Mack; Thomas J Palmeri
Journal:  Front Psychol       Date:  2014-08-06

Review 10.  Neural Correlates of Music Listening: Does the Music Matter?

Authors:  Mark Reybrouck; Peter Vuust; Elvira Brattico
Journal:  Brain Sci       Date:  2021-11-24
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