Literature DB >> 1797762

Finger tapping in musicians and nonmusicians.

M Franĕk1, J Mates, T Radil, K Beck, E Pöppel.   

Abstract

Timing plays an important role in perceiving and performing music. Finger tapping has been successfully used for analyzing timing processes (Fraisse, 1966, Franĕk et al., 1987, 1988). The aim of this study is to determine differences between musically trained and untrained subjects in their ability to follow repetitive rhythmic tonal patterns by finger tapping. It has been found previously (Povel, 1981; Smith, 1983) that time estimation differs among musicians and nonmusicians under certain conditions. The results presented here show that motor timing revealed by tapping is more accurate in musicians than in nonmusicians.

Mesh:

Year:  1991        PMID: 1797762     DOI: 10.1016/0167-8760(91)90022-p

Source DB:  PubMed          Journal:  Int J Psychophysiol        ISSN: 0167-8760            Impact factor:   2.997


  13 in total

1.  Cooperative tapping: time control under different feedback conditions.

Authors:  J Mates; T Radil; E Pöppel
Journal:  Percept Psychophys       Date:  1992-12

2.  Balancing out dwelling and moving: optimal sensorimotor synchronization.

Authors:  Ignasi Cos; Benoît Girard; Emmanuel Guigon
Journal:  J Neurophysiol       Date:  2015-04-15       Impact factor: 2.714

3.  Sensorimotor synchronization: motor responses to regular auditory patterns.

Authors:  M Franĕk; J Mates; T Radil; K Beck; E Pöppel
Journal:  Percept Psychophys       Date:  1991-06

4.  Dynamic allocation of attention to metrical and grouping accents in rhythmic sequences.

Authors:  Shu-Jen Kung; Ovid J L Tzeng; Daisy L Hung; Denise H Wu
Journal:  Exp Brain Res       Date:  2011-03-26       Impact factor: 1.972

5.  The timing effect of accent production in synchronization and continuation tasks performed by musicians and nonmusicians.

Authors:  M Billon; A Semjen
Journal:  Psychol Res       Date:  1995

6.  Sensorimotor synchronization: motor responses to pseudoregular auditory patterns.

Authors:  M Franĕk; J Mates; T Radil; K Beck; E Pöppel
Journal:  Percept Psychophys       Date:  1994-02

7.  Keeping an eye on the conductor: neural correlates of visuo-motor synchronization and musical experience.

Authors:  Kentaro Ono; Akinori Nakamura; Burkhard Maess
Journal:  Front Hum Neurosci       Date:  2015-04-02       Impact factor: 3.169

8.  The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production.

Authors:  Tomas E Matthews; Joseph N L Thibodeau; Brian P Gunther; Virginia B Penhune
Journal:  Front Psychol       Date:  2016-02-03

9.  Inter- versus intramodal integration in sensorimotor synchronization: a combined behavioral and magnetoencephalographic study.

Authors:  Katharina Müller; Gisa Aschersleben; Frank Schmitz; Alfons Schnitzler; Hans-Joachim Freund; Wolfgang Prinz
Journal:  Exp Brain Res       Date:  2007-10-12       Impact factor: 1.972

10.  The role of musical training in emergent and event-based timing.

Authors:  L H Baer; J L N Thibodeau; T M Gralnick; K Z H Li; V B Penhune
Journal:  Front Hum Neurosci       Date:  2013-05-14       Impact factor: 3.169

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