Literature DB >> 16412412

Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training.

E Bigand1, B Poulin-Charronnat.   

Abstract

The present paper reviews a set of studies designed to investigate different aspects of the capacity for processing Western music. This includes perceiving the relationships between a theme and its variations, perceiving musical tensions and relaxations, generating musical expectancies, integrating local structures in large-scale structures, learning new compositional systems and responding to music in an emotional (affective) way. The main focus of these studies was to evaluate the influence of intensive musical training on these capacities. The overall set of data highlights that some musical capacities are acquired through exposure to music without the help of explicit training. These capacities reach such a degree of sophistication that they enable untrained listeners to respond to music as "musically experienced listeners" do.

Mesh:

Year:  2006        PMID: 16412412     DOI: 10.1016/j.cognition.2005.11.007

Source DB:  PubMed          Journal:  Cognition        ISSN: 0010-0277


  70 in total

1.  Effects of musicality and motivational orientation on auditory category learning: a test of a regulatory-fit hypothesis.

Authors:  J Devin McAuley; Molly J Henry; Alan Wedd; Timothy J Pleskac; Joseph Cesario
Journal:  Mem Cognit       Date:  2012-02

2.  Surface and structural effects of pitch and time on global melodic expectancies.

Authors:  Jon B Prince; Leong-Min Loo
Journal:  Psychol Res       Date:  2016-01-12

3.  Learning lyrics: to sing or not to sing?

Authors:  Amélie Racette; Isabelle Peretz
Journal:  Mem Cognit       Date:  2007-03

4.  The effect of task and pitch structure on pitch-time interactions in music.

Authors:  Jon B Prince; Mark A Schmuckler; William F Thompson
Journal:  Mem Cognit       Date:  2009-04

5.  An fMRI investigation of the cultural specificity of music memory.

Authors:  Steven M Demorest; Steven J Morrison; Laura A Stambaugh; Münir Beken; Todd L Richards; Clark Johnson
Journal:  Soc Cogn Affect Neurosci       Date:  2009-12-24       Impact factor: 3.436

6.  The emotional meaning of harmonic intervals.

Authors:  Hella Oelmann; Bruno Laeng
Journal:  Cogn Process       Date:  2008-06-21

7.  Expressiveness in musical emotions.

Authors:  Sandrine Vieillard; Mathieu Roy; Isabelle Peretz
Journal:  Psychol Res       Date:  2011-07-15

8.  Long-term music training modulates the recalibration of audiovisual simultaneity.

Authors:  Crescent Jicol; Michael J Proulx; Frank E Pollick; Karin Petrini
Journal:  Exp Brain Res       Date:  2018-04-23       Impact factor: 1.972

9.  Words and melody are intertwined in perception of sung words: EEG and behavioral evidence.

Authors:  Reyna L Gordon; Daniele Schön; Cyrille Magne; Corine Astésano; Mireille Besson
Journal:  PLoS One       Date:  2010-03-31       Impact factor: 3.240

10.  Temporal dynamics and the identification of musical key.

Authors:  Morwaread Mary Farbood; Gary Marcus; David Poeppel
Journal:  J Exp Psychol Hum Percept Perform       Date:  2013-01-14       Impact factor: 3.332

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