Literature DB >> 15787856

Expectancy effects on omission evoked potentials in musicians and non-musicians.

Marijtje L A Jongsma1, Tom Eichele, Rodrigo Quian Quiroga, Kathleen M Jenks, Peter Desain, Henkjan Honing, Clementina M Van Rijn.   

Abstract

Abstract An expanded omitted stimulus paradigm was investigated to determine whether expectancy would modulate the amplitude of the omission evoked potentials (OEPs). In addition, we examined the effects of musical expertise on OEPs. Trials started with 3-7 beats randomly and contained 5 omitted beats. Three types of trials (n = 90) were presented with 1, 2, or 3 beats occurring between omissions. A tap response at the end of each trial was used to determine timing accuracy. Clear OEPs were observed over midline sites. We found main omission effects with respect to an N150 and a P400 OEPs component, such that peak amplitudes diminished whenever the occurrence of an omitted stimulus could be expected. In addition, an N600 OEPs component emerged in response to expectedly omitted stimuli toward the end of each trial within the group of musicians. Thus, musical training seems to lead to more efficient and more refined processing of auditory temporal patterns.

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Year:  2005        PMID: 15787856     DOI: 10.1111/j.1469-8986.2005.00269.x

Source DB:  PubMed          Journal:  Psychophysiology        ISSN: 0048-5772            Impact factor:   4.016


  14 in total

1.  Event-related potentials to changes of rhythmic unit: differences between musicians and nonmusicians.

Authors:  Pekcan Ungan; Türev Berki; Nurhan Erbil; Suha Yagcioglu; Mehmet Yüksel; Rezzan Utkucal
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2.  To the beat of your own drum: cortical regularization of non-integer ratio rhythms toward metrical patterns.

Authors:  Benjamin A Motz; Molly A Erickson; William P Hetrick
Journal:  Brain Cogn       Date:  2013-02-28       Impact factor: 2.310

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Journal:  J Neurophysiol       Date:  2017-02-08       Impact factor: 2.714

4.  Cortical Activity during Perception of Musical Rhythm; Comparing Musicians and Non-musicians.

Authors:  Assal Habibi; Vinthia Wirantana; Arnold Starr
Journal:  Psychomusicology       Date:  2014-06-01

5.  Animal Models of Psychosis: Current State and Future Directions.

Authors:  Alexandra D Forrest; Carlos A Coto; Steven J Siegel
Journal:  Curr Behav Neurosci Rep       Date:  2014-06-01

6.  Decomposing rhythm processing: electroencephalography of perceived and self-imposed rhythmic patterns.

Authors:  Rebecca S Schaefer; Rutger J Vlek; Peter Desain
Journal:  Psychol Res       Date:  2010-06-24

7.  Cortical plasticity induced by short-term multimodal musical rhythm training.

Authors:  Claudia Lappe; Laurel J Trainor; Sibylle C Herholz; Christo Pantev
Journal:  PLoS One       Date:  2011-06-29       Impact factor: 3.240

8.  Music training enhances rapid neural plasticity of n1 and p2 source activation for unattended sounds.

Authors:  Miia Seppänen; Jarmo Hämäläinen; Anu-Katriina Pesonen; Mari Tervaniemi
Journal:  Front Hum Neurosci       Date:  2012-03-14       Impact factor: 3.169

9.  Influence of rhythmic grouping on duration perception: a novel auditory illusion.

Authors:  Eveline Geiser; John D E Gabrieli
Journal:  PLoS One       Date:  2013-01-18       Impact factor: 3.240

10.  Source analysis of electrophysiological correlates of beat induction as sensory-guided action.

Authors:  Neil P M Todd; Christopher S Lee
Journal:  Front Psychol       Date:  2015-08-14
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