Literature DB >> 15182315

Interaction between the neuromagnetic responses to sound energy onset and pitch onset suggests common generators.

A Seither-Preisler1, K Krumbholz, R Patterson, S Seither, B Lütkenhöner.   

Abstract

The pitch-onset response (POR) is a negative component of the auditory evoked field which is elicited when the temporal fine structure of a continuous noise is regularized to produce a pitch perception without altering the gross spectral characteristics of the sound. Previously, we showed that the latency of the POR is inversely related to the pitch value and its amplitude is correlated with the salience of the pitch, suggesting that the underlying generators are part of a pitch-processing network [Krumbholz, K., Patterson, R.D., Seither-Preisler, A., Lammertmann, C. & Lütkenhöner, B. (2003) Cereb. Cortex,13, 765-772]. The source of the POR was located near the medial part of Heschl's gyrus. The present study was designed to determine whether the POR originates from the same generators as the energy-onset response (EOR) represented by the N100m/P200m complex. The EOR to the onset of a noise, and the POR to a subsequent transition from noise to pitch, were recorded as the time interval between the noise onset and the transition varied from 500 to 4000 ms. The mean amplitude of the POR increased by approximately 5.9 nA.m with each doubling of the time between noise onset and transition. This suggests an interaction between the POR and the EOR, which may be based on common neural generators.

Mesh:

Year:  2004        PMID: 15182315     DOI: 10.1111/j.0953-816X.2004.03423.x

Source DB:  PubMed          Journal:  Eur J Neurosci        ISSN: 0953-816X            Impact factor:   3.386


  6 in total

1.  Auditory temporal edge detection in human auditory cortex.

Authors:  Maria Chait; David Poeppel; Jonathan Z Simon
Journal:  Brain Res       Date:  2008-04-08       Impact factor: 3.252

2.  Cortical pitch response components index stimulus onset/offset and dynamic features of pitch contours.

Authors:  Ananthanarayan Krishnan; Jackson T Gandour; Saradha Ananthakrishnan; Venkatakrishnan Vijayaraghavan
Journal:  Neuropsychologia       Date:  2014-04-18       Impact factor: 3.139

3.  Temporal Pitch Sensitivity in an Animal Model: Psychophysics and Scalp Recordings : Temporal Pitch Sensitivity in Cat.

Authors:  Matthew L Richardson; François Guérit; Robin Gransier; Jan Wouters; Robert P Carlyon; John C Middlebrooks
Journal:  J Assoc Res Otolaryngol       Date:  2022-06-06

4.  Tone sequences with conflicting fundamental pitch and timbre changes are heard differently by musicians and nonmusicians.

Authors:  Annemarie Seither-Preisler; Linda Johnson; Katrin Krumbholz; Andrea Nobbe; Roy Patterson; Stefan Seither; Bernd Lütkenhöner
Journal:  J Exp Psychol Hum Percept Perform       Date:  2007-06       Impact factor: 3.332

5.  Representations of pitch and slow modulation in auditory cortex.

Authors:  Daphne Barker; Christopher J Plack; Deborah A Hall
Journal:  Front Syst Neurosci       Date:  2013-10-02

6.  Are interaural time and level differences represented by independent or integrated codes in the human auditory cortex?

Authors:  Barrie A Edmonds; Katrin Krumbholz
Journal:  J Assoc Res Otolaryngol       Date:  2013-11-12
  6 in total

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