Literature DB >> 15058353

The psychomechanics of simulated sound sources: material properties of impacted bars.

Stephen McAdams1, Antoine Chaigne, Vincent Roussarie.   

Abstract

Sound can convey information about the materials composing an object that are often not directly available to the visual system. Material and geometric properties of synthesized impacted bars with a tube resonator were varied, their perceptual structure was inferred from multidimensional scaling of dissimilarity judgments, and the psychophysical relations between the two were quantified. Constant cross-section bars varying in mass density and viscoelastic damping coefficient were synthesized with a physical model in experiment 1. A two-dimensional perceptual space resulted, and the dimensions were correlated with the mechanical parameters after applying a power-law transformation. Variable cross-section bars varying in length and viscoelastic damping coefficient were synthesized in experiment 2 with two sets of lengths creating high- and low-pitched bars. In the low-pitched bars, there was a coupling between the bar and the resonator that modified the decay characteristics. Perceptual dimensions again corresponded to the mechanical parameters. A set of potential temporal, spectral, and spectrotemporal correlates of the auditory representation were derived from the signal. The dimensions related to mass density and bar length were correlated with the frequency of the lowest partial and are related to pitch perception. The correlate most likely to represent the viscoelastic damping coefficient across all three stimulus sets is a linear combination of a decay constant derived from the temporal envelope and the spectral center of gravity derived from a cochlear representation of the signal. These results attest to the perceptual salience of energy-loss phenomena in sound source behavior.

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Mesh:

Year:  2004        PMID: 15058353     DOI: 10.1121/1.1645855

Source DB:  PubMed          Journal:  J Acoust Soc Am        ISSN: 0001-4966            Impact factor:   1.840


  11 in total

1.  Vowel constrictions are recoverable from formants.

Authors:  Khalil Iskarous
Journal:  J Phon       Date:  2010-07-01

2.  Level dominance in sound source identification.

Authors:  Robert A Lutfi; Ching-Ju Liu; Christophe Stoelinga
Journal:  J Acoust Soc Am       Date:  2008-12       Impact factor: 1.840

3.  Sensory constraints on auditory identification of the material and geometric properties of struck bars.

Authors:  Robert A Lutfi; Christophe N J Stoelinga
Journal:  J Acoust Soc Am       Date:  2010-01       Impact factor: 1.840

4.  Auditory discrimination of force of impact.

Authors:  Robert A Lutfi; Ching-Ju Liu; Christophe N J Stoelinga
Journal:  J Acoust Soc Am       Date:  2011-04       Impact factor: 1.840

5.  Modeling manner of contact in the synthesis of impact sounds for perceptual research.

Authors:  Christophe N J Stoelinga; Robert A Lutfi
Journal:  J Acoust Soc Am       Date:  2011-08       Impact factor: 1.840

6.  Discrimination of the spectral density of multitone complexes.

Authors:  Christophe N J Stoelinga; Robert A Lutfi
Journal:  J Acoust Soc Am       Date:  2011-11       Impact factor: 1.840

Review 7.  Neural and behavioral investigations into timbre perception.

Authors:  Stephen M Town; Jennifer K Bizley
Journal:  Front Syst Neurosci       Date:  2013-11-13

8.  The production and perception of emotionally expressive walking sounds: similarities between musical performance and everyday motor activity.

Authors:  Bruno L Giordano; Hauke Egermann; Roberto Bresin
Journal:  PLoS One       Date:  2014-12-31       Impact factor: 3.240

9.  Metal Sounds Stiffer than Drums for Ears, but Not Always for Hands: Low-Level Auditory Features Affect Multisensory Stiffness Perception More than High-Level Categorical Information.

Authors:  Juan Liu; Hiroshi Ando
Journal:  PLoS One       Date:  2016-11-30       Impact factor: 3.240

10.  Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds.

Authors:  Kai Siedenburg; Kiray Jones-Mollerup; Stephen McAdams
Journal:  Front Psychol       Date:  2016-01-05
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