Literature DB >> 14681167

Synchronizing with music: intercultural differences.

Carolyn Drake1, Jamel Ben El Heni.   

Abstract

The way in which listeners perceive music changes throughout childhood, but little is known about the factors responsible for these changes. One factor, explicit music training, has received considerable attention, with studies indicating that musicians demonstrate a more complex hierarchical mental representation for music and superior temporal organizational skills. But does acculturation-the passive exposure to a particular type of music since birth-also influence the acquisition of these skills? We compared the music synchronization performance of Tunisian and French subjects with music from these two contrasting musical cultures. Twelve musical excerpts were selected from the two popular music cultures, matched for perceived tempo, complexity, and familiarity, and subjects were asked to tap in time with the music. Tapping mode (rate and hierarchical level) varied with subjects' familiarity with the musical idiom, as evidenced by an interaction between musical culture and type of music: participants synchronized at higher hierarchical levels (and over a wider range) with music from their own culture than with an unfamiliar type of music. Thus, passive acculturation as well as explicit music tuition influence our perception and cognition of music.

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Year:  2003        PMID: 14681167     DOI: 10.1196/annals.1284.053

Source DB:  PubMed          Journal:  Ann N Y Acad Sci        ISSN: 0077-8923            Impact factor:   5.691


  13 in total

1.  Cross-cultural differences in meter perception.

Authors:  Beste Kalender; Sandra E Trehub; E Glenn Schellenberg
Journal:  Psychol Res       Date:  2012-02-25

2.  An fMRI investigation of the cultural specificity of music memory.

Authors:  Steven M Demorest; Steven J Morrison; Laura A Stambaugh; Münir Beken; Todd L Richards; Clark Johnson
Journal:  Soc Cogn Affect Neurosci       Date:  2009-12-24       Impact factor: 3.436

3.  Bimusicalism: The Implicit Dual Enculturation of Cognitive and Affective Systems.

Authors:  Patrick C M Wong; Anil K Roy; Elizabeth Hellmuth Margulis
Journal:  Music Percept       Date:  2009-12-01

4.  The taste & affect music database: Subjective rating norms for a new set of musical stimuli.

Authors:  David Guedes; Marília Prada; Margarida Vaz Garrido; Elsa Lamy
Journal:  Behav Res Methods       Date:  2022-05-17

5.  Differential cognitive responses to guqin music and piano music in Chinese subjects: an event-related potential study.

Authors:  Wei-Na Zhu; Jun-Jun Zhang; Hai-Wei Liu; Xiao-Jun Ding; Yuan-Ye Ma; Chang-Le Zhou
Journal:  Neurosci Bull       Date:  2008-02       Impact factor: 5.203

6.  Finding and feeling the musical beat: striatal dissociations between detection and prediction of regularity.

Authors:  Jessica A Grahn; James B Rowe
Journal:  Cereb Cortex       Date:  2012-04-11       Impact factor: 5.357

7.  Listeners feel the beat: entrainment to English and French speech rhythms.

Authors:  Pascale Lidji; Caroline Palmer; Isabelle Peretz; Michele Morningstar
Journal:  Psychon Bull Rev       Date:  2011-12

Review 8.  Do informal musical activities shape auditory skill development in preschool-age children?

Authors:  Vesa Putkinen; Katri Saarikivi; Mari Tervaniemi
Journal:  Front Psychol       Date:  2013-08-29

9.  "If You Have to Ask, You'll Never Know": Effects of Specialised Stylistic Expertise on Predictive Processing of Music.

Authors:  Niels Chr Hansen; Peter Vuust; Marcus Pearce
Journal:  PLoS One       Date:  2016-10-12       Impact factor: 3.240

10.  Evaluating Hierarchical Structure in Music Annotations.

Authors:  Brian McFee; Oriol Nieto; Morwaread M Farbood; Juan Pablo Bello
Journal:  Front Psychol       Date:  2017-08-03
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