Literature DB >> 14639669

Perceptual differences in sequential stimuli across patients with musician's and writer's cramp.

Vanessa K Lim1, John L Bradshaw, Michael E R Nicholls, Eckart Altenmüller.   

Abstract

Previous research has demonstrated a relationship between the regularity of motor production and the ability to make accurate perceptual judgments. The current study investigated the temporal abilities of two groups of patients with known movement problems (musicians' and writers' cramp), some of whom have had many years of training in temporal discrimination. Patients and controls (musician and nonmusician, respectively) judged whether the last of six sequential auditory or tactile stimuli occurred earlier or later in comparison to five previously and regularly presented stimuli. In both sensory domains, patients with musicians' cramp detected the early stimulus better than controls. When detecting the onset of late stimuli, only in the auditory domain were patients worse than controls. Patients with writers' cramp, however, did not show any significant group differences in either auditory or tactile domains, suggesting that such patients are not deficient in processing sequential stimuli. In conclusion, compared to controls, patients with musician's cramp demonstrated generalized timing anomalies, occurring in the symptomatic (tactile) and the asymptomatic (auditory) sensory domains. This timing problem is likely to be a consequence of the dystonic symptoms rather than the cause. Copyright 2003 Movement Disorder Society

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Year:  2003        PMID: 14639669     DOI: 10.1002/mds.10528

Source DB:  PubMed          Journal:  Mov Disord        ISSN: 0885-3185            Impact factor:   10.338


  7 in total

1.  Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionists.

Authors:  Fiona C Manning; Michael Schutz
Journal:  Psychol Res       Date:  2015-06-12

2.  Temporal prediction abilities are mediated by motor effector and rhythmic expertise.

Authors:  Fiona C Manning; Jennifer Harris; Michael Schutz
Journal:  Exp Brain Res       Date:  2016-12-01       Impact factor: 1.972

Review 3.  The non-motor syndrome of primary dystonia: clinical and pathophysiological implications.

Authors:  Maria Stamelou; Mark J Edwards; Mark Hallett; Kailash P Bhatia
Journal:  Brain       Date:  2011-09-20       Impact factor: 13.501

4.  Altered sensory feedbacks in pianist's dystonia: the altered auditory feedback paradigm and the glove effect.

Authors:  Felicia P-H Cheng; Michael Großbach; Eckart O Altenmüller
Journal:  Front Hum Neurosci       Date:  2013-12-17       Impact factor: 3.169

5.  Motor and Sensory Dysfunction in Musician's Dystonia.

Authors:  Florence C F Chang; Steven J Frucht
Journal:  Curr Neuropharmacol       Date:  2013-01       Impact factor: 7.363

6.  Basic timing abilities stay intact in patients with musician's dystonia.

Authors:  M C van der Steen; Floris T van Vugt; Peter E Keller; Eckart Altenmüller
Journal:  PLoS One       Date:  2014-03-25       Impact factor: 3.240

7.  Structure-function abnormalities in cortical sensory projections in embouchure dystonia.

Authors:  Tobias Mantel; Eckart Altenmüller; Yong Li; André Lee; Tobias Meindl; Angela Jochim; Claus Zimmer; Bernhard Haslinger
Journal:  Neuroimage Clin       Date:  2020-09-02       Impact factor: 4.881

  7 in total

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