Literature DB >> 11411472

Level and center frequency of the singer's formant.

J Sundberg1.   

Abstract

The "singer's formant" is a prominent spectrum envelope peak near 3 kHz, typically found in voiced sounds produced by classical operatic singers. According to previous research, it is mainly a resonatory phenomenon produced by a clustering of formants 3, 4, and 5. Its level relative to the first formant peak varies depending on vowel, vocal loudness, and other factors. Its dependence on vowel formant frequencies is examined. Applying the acoustic theory of voice production, the level difference between the first and third formant is calulated for some standard vowels. The difference between observed and calculated levels is determined for various voices. It is found to vary considerably more between vowels sung by professional singers than by untrained voices. The center frequency of the singer's formant as determined from long-term spectrum analysis of commercial recordings is found to increase slightly with the pitch range of the voice classification.

Mesh:

Year:  2001        PMID: 11411472     DOI: 10.1016/S0892-1997(01)00019-4

Source DB:  PubMed          Journal:  J Voice        ISSN: 0892-1997            Impact factor:   2.009


  8 in total

1.  The singer's formant and speaker's ring resonance: a long-term average spectrum analysis.

Authors:  Sang-Hyuk Lee; Hee-Jun Kwon; Hyun-Jin Choi; Nam-Hun Lee; Sung-Jin Lee; Sung-Min Jin
Journal:  Clin Exp Otorhinolaryngol       Date:  2008-06-20       Impact factor: 3.372

2.  Vocal tract resonances in speech, singing, and playing musical instruments.

Authors:  Joe Wolfe; Maëva Garnier; John Smith
Journal:  HFSP J       Date:  2008-12-03

3.  [Voice classification in professional singers: the influence of vocal fold length, vocal tract length and body measurements].

Authors:  D Mürbe; F Roers; J Sundberg
Journal:  HNO       Date:  2011-06       Impact factor: 1.284

4.  Acoustic analysis of snoring sounds recorded with a smartphone according to obstruction site in OSAS patients.

Authors:  Soo Kweon Koo; Soon Bok Kwon; Yang Jae Kim; J I Seung Moon; Young Jun Kim; Sung Hoon Jung
Journal:  Eur Arch Otorhinolaryngol       Date:  2016-10-05       Impact factor: 2.503

5.  Functional connectivity associated with acoustic stability during vowel production: implications for vocal-motor control.

Authors:  John J Sidtis
Journal:  Brain Connect       Date:  2014-11-17

6.  Effect of Training and Level of External Auditory Feedback on the Singing Voice: Volume and Quality.

Authors:  Pasquale Bottalico; Simone Graetzer; Eric J Hunter
Journal:  J Voice       Date:  2015-07-15       Impact factor: 2.009

7.  The neural control of volitional vocal production-from speech to identity, from social meaning to song.

Authors:  Sophie K Scott
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2021-11-15       Impact factor: 6.237

8.  Acoustic evolution of old Italian violins from Amati to Stradivari.

Authors:  Hwan-Ching Tai; Yen-Ping Shen; Jer-Horng Lin; Dai-Ting Chung
Journal:  Proc Natl Acad Sci U S A       Date:  2018-05-21       Impact factor: 11.205

  8 in total

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