Literature DB >> 11383193

Classical and inverted White's effects.

C Ripamonti1, W Gerbino.   

Abstract

In classical White's effect, intermediate-luminance targets appear lighter when they interrupt the dark stripes of a grating and darker when they interrupt the light stripes. The effect is reversed when targets are of double-increment or double-decrement luminance, relative to the luminances of grating stripes. To find a common explanation for classical and inverted effects, we ran two experiments. In experiment 1, we utilised intermediate-target displays to show that perceived transparency dominates over occlusion only when the target luminance is close to the luminances of top regions. This result weakens transparency-based accounts of White's effect. In experiment 2, we varied grating contrast and target luminance to measure the classical effect in seven intermediate-target cases, as well as the inverted effect in four double-increment and four double-decrement cases. Both types of effect are explained by a common model, based on assimilation to the top region and contrast with the interrupted region, weighted by adjacency along the luminance continuum.

Mesh:

Year:  2001        PMID: 11383193     DOI: 10.1068/p3108

Source DB:  PubMed          Journal:  Perception        ISSN: 0301-0066            Impact factor:   1.490


  3 in total

1.  Dissecting the influence of the collinear and flanking bars in White's effect.

Authors:  Barbara Blakeslee; Ganesh Padmanabhan; Mark E McCourt
Journal:  Vision Res       Date:  2016-07-21       Impact factor: 1.886

2.  Local computation of lightness on articulated surrounds.

Authors:  Masataka Sawayama; Eiji Kimura
Journal:  Iperception       Date:  2012-08-01

3.  An exponential filter model predicts lightness illusions.

Authors:  Astrid Zeman; Kevin R Brooks; Sennay Ghebreab
Journal:  Front Hum Neurosci       Date:  2015-06-24       Impact factor: 3.169

  3 in total

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