Literature DB >> 10321474

Musicians with absolute pitch show distinct neural activities in the auditory cortex.

Y Hirata1, S Kuriki, C Pantev.   

Abstract

Meg responses from musicians who had absolute pitch and from non-musicians were measured while they received different auditory stimuli. The parameters of single equivalent current dipoles (ECDs) were calculated for the N1m responses occurring in the auditory cortex. The location of the ECD for the noise burst was significantly posterior to the ECDs for the tones in the two hemispheres of the musicians, but not for those of the non-musicians. Further, in the left hemisphere the ECDs for the musicians were significantly posterior to those for the non-musicians. These results suggest distinct neural activities in the auditory cortex of musicians, which may be the result of cortical plasticity produced by training and/or an inherent cortical structural specificity.

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Year:  1999        PMID: 10321474     DOI: 10.1097/00001756-199904060-00019

Source DB:  PubMed          Journal:  Neuroreport        ISSN: 0959-4965            Impact factor:   1.837


  14 in total

1.  Spatiotemporal characteristics of the neural activities processing consonant/dissonant tones in melody.

Authors:  Shinya Kuriki; Naoko Isahai; Asuka Ohtsuka
Journal:  Exp Brain Res       Date:  2004-12-02       Impact factor: 1.972

2.  The analysis of simple and complex auditory signals in human auditory cortex: magnetoencephalographic evidence from M100 modulation.

Authors:  Julian Jenkins; William J Idsardi; David Poeppel
Journal:  Ear Hear       Date:  2010-08       Impact factor: 3.570

3.  Enhanced cortical connectivity in absolute pitch musicians: a model for local hyperconnectivity.

Authors:  Psyche Loui; H Charles Li; Anja Hohmann; Gottfried Schlaug
Journal:  J Cogn Neurosci       Date:  2010-06-01       Impact factor: 3.225

4.  Auditory stroop and absolute pitch: an fMRI study.

Authors:  Katrin Schulze; Karsten Mueller; Stefan Koelsch
Journal:  Hum Brain Mapp       Date:  2012-02-22       Impact factor: 5.038

5.  Absolute pitch--functional evidence of speech-relevant auditory acuity.

Authors:  Mathias S Oechslin; Martin Meyer; Lutz Jäncke
Journal:  Cereb Cortex       Date:  2009-07-10       Impact factor: 5.357

6.  Absolute Pitch and Synesthesia: Two Sides of the Same Coin? Shared and Distinct Neural Substrates of Music Listening.

Authors:  Psyche Loui; Anna Zamm; Gottfried Schlaug
Journal:  ICMPC       Date:  2012

7.  Enhancement of speech-relevant auditory acuity in absolute pitch possessors.

Authors:  Nobuo Masataka
Journal:  Front Psychol       Date:  2011-05-20

8.  Cortical plasticity induced by short-term multimodal musical rhythm training.

Authors:  Claudia Lappe; Laurel J Trainor; Sibylle C Herholz; Christo Pantev
Journal:  PLoS One       Date:  2011-06-29       Impact factor: 3.240

9.  Perceiving pitch absolutely: comparing absolute and relative pitch possessors in a pitch memory task.

Authors:  Katrin Schulze; Nadine Gaab; Gottfried Schlaug
Journal:  BMC Neurosci       Date:  2009-08-27       Impact factor: 3.288

10.  Rhythmic and melodic deviations in musical sequences recruit different cortical areas for mismatch detection.

Authors:  Claudia Lappe; Olaf Steinsträter; Christo Pantev
Journal:  Front Hum Neurosci       Date:  2013-06-07       Impact factor: 3.169

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