Literature DB >> 8969758

Laryngeal biomechanics of the singing voice.

J A Koufman1, T A Radomski, G M Joharji, G B Russell, D C Pillsbury.   

Abstract

By transnasal fiberoptic laryngoscopy, patients with functional voice often demonstrate abnormal laryngeal biomechanics, commonly supraglottic contraction. Appropriately, such conditions are sometimes termed muscle tension dysphonias. Singers working at the limits of their voice may also transiently demonstrate comparable tension patterns. However, the biomechanics of normal singing, particularly for different singing styles, have not been previously well characterized. We used transnasal fiberoptic laryngoscopy to study 100 healthy singers to assess patterns of laryngeal tension during normal singing and to determine whether factors such as sex, occupation, and style of singing influence laryngeal muscle tension. Thirty-nine male and 61 female singers were studied; 48 were professional singers, and 52 were amateurs. Examinations of study subjects performing standardized and nonstandardized singing tasks were recorded on a laser disk and subsequently analyzed in a frame-by-frame fashion by a blinded otolaryngologist. Each vocal task was graded for muscle tension by previously established criteria, and objective muscle tension scores were computed. The muscle tension score was expressed as a percentage of frames for each task with one of the laryngeal muscle tension patterns shown. The lowest muscle tension scores were seen in female professional singers, and the highest muscle tension scores were seen in amateur female singers. Male singers (professional and amateur) had intermediate muscle tension scores. Classical singers had lower muscle tension scores than nonclassical singers, with the lowest muscle tension scores being seen in those singing choral music (41%), art song (47%), and opera (57%), and the highest being seen in those singing jazz/pop (65%), musical theater (74%), bluegrass/country and western (86%), and rock/gospel (94%). Analyzed also were the influences of vocal nodules, prior vocal training, number of performance and practice hours per week, warm-up before singing, race, smoking, and alcohol consumption.

Entities:  

Mesh:

Year:  1996        PMID: 8969758     DOI: 10.1016/S0194-59989670007-4

Source DB:  PubMed          Journal:  Otolaryngol Head Neck Surg        ISSN: 0194-5998            Impact factor:   5.591


  5 in total

1.  Stabilometric findings in patients affected by organic dysphonia before and after phonomicrosurgery.

Authors:  A Nacci; S O Romeo; S Berrettini; J Matteucci; M D Cavaliere; V Mancini; E Panicucci; F Ursino; B Fattori
Journal:  Acta Otorhinolaryngol Ital       Date:  2017-08       Impact factor: 2.124

2.  Posturographic analysis in patients with dysfunctional dysphonia before and after speech therapy/rehabilitation treatment.

Authors:  A Nacci; B Fattori; V Mancini; E Panicucci; J Matteucci; F Ursino; S Berrettini
Journal:  Acta Otorhinolaryngol Ital       Date:  2012-04       Impact factor: 2.124

3.  Epigenetic dysregulation in laryngeal squamous cell carcinoma.

Authors:  Thian-Sze Wong; Wei Gao; Zeng-Hong Li; Jimmy Yu-Wai Chan; Wai-Kuen Ho
Journal:  J Oncol       Date:  2012-05-07       Impact factor: 4.375

4.  Effects of Resonance Voice Therapy on Hormone-Related Vocal Disorders in Professional Singers: A Pilot Study.

Authors:  Laishyang Melody Ouyoung; Brenda Capobres Villegas; Changxing Liu; Guy Talmor; Uttam K Sinha
Journal:  Clin Med Insights Ear Nose Throat       Date:  2018-08-07

5.  Risk Factors for Voice Problems in Professional Actors and Singers.

Authors:  Nataša Prebil; Irena Hočevar Boltežar; Maja Šereg Bahar
Journal:  Zdr Varst       Date:  2020-04-06
  5 in total

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