Literature DB >> 751000

A bidimensional model of pitch in the recognition of melodies.

W L Idson, D W Massaro.   

Abstract

Mesh:

Year:  1978        PMID: 751000     DOI: 10.3758/bf03198783

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN: 0031-5117


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  12 in total

1.  Recognition of distorted melodies.

Authors:  B W WHITE
Journal:  Am J Psychol       Date:  1960-03

2.  Receptive fields, binocular interaction and functional architecture in the cat's visual cortex.

Authors:  D H HUBEL; T N WIESEL
Journal:  J Physiol       Date:  1962-01       Impact factor: 5.182

3.  Note on Neu's review of the literature on absolute pitch.

Authors:  A BACHEM
Journal:  Psychol Bull       Date:  1948-03       Impact factor: 17.737

4.  Interference in memory between tones adjacent in the musical scale.

Authors:  D Deutsch
Journal:  J Exp Psychol       Date:  1973-10

5.  Generality of interference by tonal stimuli in recognition memory for pitch.

Authors:  D Deutsch
Journal:  Q J Exp Psychol       Date:  1974-05       Impact factor: 2.143

6.  Effect of repetition of standard and comparison tones on recognition memory for pitch.

Authors:  D Deutsch
Journal:  J Exp Psychol       Date:  1972-04

7.  Tones and numbers: specificity of interference in immediate memory.

Authors:  D Deutsch
Journal:  Science       Date:  1970-06-26       Impact factor: 47.728

8.  Contour, interval, and pitch recognition in memory for melodies.

Authors:  W J Dowling; D S Fujitani
Journal:  J Acoust Soc Am       Date:  1971-02       Impact factor: 1.840

9.  Music recognition.

Authors:  D Deutsch
Journal:  Psychol Rev       Date:  1969-05       Impact factor: 8.934

10.  Primary auditory stream segregation and perception of order in rapid sequences of tones.

Authors:  A S Bregman; J Campbell
Journal:  J Exp Psychol       Date:  1971-08
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  15 in total

1.  Dynamic melody recognition: distinctiveness and the role of musical expertise.

Authors:  Freya Bailes
Journal:  Mem Cognit       Date:  2010-07

2.  Absolute memory for musical pitch: evidence from the production of learned melodies.

Authors:  D J Levitin
Journal:  Percept Psychophys       Date:  1994-10

3.  The interaction of modality condition and presentation rate in short-term contour recognition.

Authors:  W R Balch; D L Muscatelli
Journal:  Percept Psychophys       Date:  1986-11

4.  Tone chroma is functional in melody recognition.

Authors:  H J Kallman; D W Massaro
Journal:  Percept Psychophys       Date:  1979-07

5.  A figural approach to the role of melodic contour in melody recognition.

Authors:  M C Dyson; A J Watkins
Journal:  Percept Psychophys       Date:  1984-05

6.  A harmonious note on pitch: scales of pitch derived from subtractive model of comparison agree with the musical scale.

Authors:  R Elmasian; M H Birnbaum
Journal:  Percept Psychophys       Date:  1984-12

7.  Serial-pattern structure and temporal-order recognition.

Authors:  M Boltz; E Marshburn; M R Jones; W W Johnson
Journal:  Percept Psychophys       Date:  1985-03

Review 8.  A tutorial on some issues and methods in serial pattern research.

Authors:  M R Jones
Journal:  Percept Psychophys       Date:  1981-11

9.  Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody.

Authors:  A J Watkins
Journal:  Percept Psychophys       Date:  1985-04

10.  Circularity in relative pitch judgments for inharmonic complex tones: the Shepard demonstration revisited, again.

Authors:  E M Burns
Journal:  Percept Psychophys       Date:  1981-11
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