Literature DB >> 7155776

The perception of pure and mistuned musical fifths and major thirds: thresholds for discrimination, beats, and identification.

J Vos.   

Abstract

Mesh:

Year:  1982        PMID: 7155776     DOI: 10.3758/bf03206236

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN: 0031-5117


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  5 in total

1.  Transformed up-down methods in psychoacoustics.

Authors:  H Levitt
Journal:  J Acoust Soc Am       Date:  1971-02       Impact factor: 1.840

2.  Consonance theory part II: consonance of complex tones and its calculation method.

Authors:  A Kameoka; M Kuriyagawa
Journal:  J Acoust Soc Am       Date:  1969-06       Impact factor: 1.840

3.  Tonal consonance and critical bandwidth.

Authors:  R Plomp; W J Levelt
Journal:  J Acoust Soc Am       Date:  1965-10       Impact factor: 1.840

4.  Identification, discrimination, and selective adaptation of simultaneous musical intervals.

Authors:  R J Zatorre; A R Halpern
Journal:  Percept Psychophys       Date:  1979-11

5.  Categorical perception--phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals.

Authors:  E M Burns; W D Ward
Journal:  J Acoust Soc Am       Date:  1978-02       Impact factor: 1.840

  5 in total
  4 in total

1.  Spectral effects in the perception of pure and tempered intervals: discrimination and beats.

Authors:  J Vos
Journal:  Percept Psychophys       Date:  1984-02

2.  Tuning of diatonic scales by violinists, pianists, and nonmusicians.

Authors:  F Loosen
Journal:  Percept Psychophys       Date:  1994-08

3.  The effect of fundamental frequency on the discriminability between pure and tempered fifths and major thirds.

Authors:  J Vos; B G van Vianen
Journal:  Percept Psychophys       Date:  1985-06

4.  Harmonic Frequency Lowering: Effects on the Perception of Music Detail and Sound Quality.

Authors:  Martin Kirchberger; Frank A Russo
Journal:  Trends Hear       Date:  2016-02-01       Impact factor: 3.293

  4 in total

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