Literature DB >> 6877993

Duplex perception with musical stimuli.

R E Pastore, M A Schmuckler, L Rosenblum, R Szczesiul.   

Abstract

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Year:  1983        PMID: 6877993     DOI: 10.3758/bf03202898

Source DB:  PubMed          Journal:  Percept Psychophys        ISSN: 0031-5117


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  10 in total

1.  Letter: Dichotic release from masking for speech.

Authors:  T C Rand
Journal:  J Acoust Soc Am       Date:  1974-03       Impact factor: 1.840

2.  Cerebral dominance in musicians and nonmusicians.

Authors:  T G Bever; R J Chiarello
Journal:  Science       Date:  1974-08-09       Impact factor: 47.728

3.  Categorical perception in a non-linguistic mode.

Authors:  S Locke; L Kellar
Journal:  Cortex       Date:  1973-12       Impact factor: 4.027

4.  Identification, discrimination, and selective adaptation of simultaneous musical intervals.

Authors:  R J Zatorre; A R Halpern
Journal:  Percept Psychophys       Date:  1979-11

Review 5.  Auditory and linguistic processes in speech perception: inferences from six fusions in dichotic listening.

Authors:  J E Cutting
Journal:  Psychol Rev       Date:  1976-03       Impact factor: 8.934

6.  Plucks and bows are categorically perceived, sometimes.

Authors:  J E Cutting
Journal:  Percept Psychophys       Date:  1982-05

7.  Duplex perception of cues for stop consonants: evidence for a phonetic mode.

Authors:  A M Liberman; D Isenberg; B Rakerd
Journal:  Percept Psychophys       Date:  1981-08

8.  Plucks and bows are not categorically perceived.

Authors:  S M Rosen; P Howell
Journal:  Percept Psychophys       Date:  1981-08

9.  Perceptual equivalence of acoustic cues in speech and nonspeech perception.

Authors:  C T Best; B Morrongiello; R Robson
Journal:  Percept Psychophys       Date:  1981-03

10.  Phonetic trading relations and context effects: new experimental evidence for a speech mode of perception.

Authors:  B H Repp
Journal:  Psychol Bull       Date:  1982-07       Impact factor: 17.737

  10 in total
  9 in total

1.  Context effects on musical chord categorization: Different forms of top-down feedback in speech and music?

Authors:  Bob McMurray; Joel L Dennhardt; Andrew Struck-Marcell
Journal:  Cogn Sci       Date:  2008-07

2.  Perceptual integrality of major chord components.

Authors:  B E Acker; R E Pastore
Journal:  Percept Psychophys       Date:  1996-07

3.  Auditory continuity effects with binaural stimuli.

Authors:  W R Thurlow
Journal:  Percept Psychophys       Date:  1987-08

4.  Within-category discrimination of musical chords: perceptual magnet or anchor?

Authors:  B E Acker; R E Pastore; M D Hall
Journal:  Percept Psychophys       Date:  1995-08

5.  A reexamination of duplex perception evoked by intensity differences.

Authors:  P J Bailey; P Herrmann
Journal:  Percept Psychophys       Date:  1993-07

6.  Possible mechanisms of duplex perception: "chirp" identification versus dichotic fusion.

Authors:  H C Nusbaum
Journal:  Percept Psychophys       Date:  1984-01

7.  Parameters of spectral/temporal fusion in speech perception.

Authors:  B H Repp; S Bentin
Journal:  Percept Psychophys       Date:  1984-12

8.  Duplex perception with musical stimuli: a further investigation.

Authors:  S C Collins
Journal:  Percept Psychophys       Date:  1985-08

9.  Attention, awareness, and the perception of auditory scenes.

Authors:  Joel S Snyder; Melissa K Gregg; David M Weintraub; Claude Alain
Journal:  Front Psychol       Date:  2012-02-07
  9 in total

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