Literature DB >> 3733493

Auditory evoked potentials and the perception of rhythms.

P Fraisse, A Lavit.   

Abstract

The amplitudes of the evoked potentials (N1-P2) to successive stimuli usually decrease from the first to the second, and so on. We have studied a special case where the subject hears 4 repetitions of a simple rhythmic pattern (iamb 300-600 ms, or trochee 600-300 ms), the interval between two patterns being 1200 ms. In this case, between the reaction to the last click of a pattern and the first click of the next one, we found an increase of the N1-P2, whereas we might have expected a small decrease for this interval, which has been found by many other authors. This exception accords with the inner experience and the motor reproduction of results. In a succession of rhythmical patterns, where there are no other indices, the interval between two patterns is perceived as a pause or a ground, and is not integrated into the pattern.

Mesh:

Year:  1986        PMID: 3733493     DOI: 10.1016/0167-8760(86)90001-2

Source DB:  PubMed          Journal:  Int J Psychophysiol        ISSN: 0167-8760            Impact factor:   2.997


  1 in total

1.  Effect of musical modelling on late auditory evoked potentials.

Authors:  W Paulus
Journal:  Eur Arch Psychiatry Neurol Sci       Date:  1988
  1 in total

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