| Literature DB >> 36238825 |
Lei Xue1.
Abstract
In the 21st century with the popularization of digital technology, as a printmaking born out of industrial printing, it has undergone a revolutionary evolution. Silkscreen printmaking is a type of print with high technology content, strong dependence on media, and no traditional load. Thirty years ago, as soon as silkscreen prints settled in China, they began artistic exploration and experimentation with a brand-new attitude. Several generations of screen print workers have achieved it, expanded it, and made it independent in the fusion of modern language methods and oriental cultural spirit, and in the exploration of screen vocabulary, characteristics and character, it has an independent status and ranks among the international elite qualifications. This paper analyzes the root problems of high-tech printmaking tools, materials, technical principles, and causes of aesthetics. Starting from the background of the concept of green development, it expounds its related concepts, analyzes the theoretical origin of green development, and clearly recognizes the high-tech. The limitation of printmaking in the development space-that is, the expression language of digital plate making, is relatively correct in theory, so as to carry out step-by-step exploration and practice.Entities:
Mesh:
Year: 2022 PMID: 36238825 PMCID: PMC9553407 DOI: 10.1155/2022/3938915
Source DB: PubMed Journal: J Environ Public Health ISSN: 1687-9805
Figure 1Research trend of silkscreen prints.
Comparison of technical parameters of various prints.
| Category | Requirements of the environment | Environmental requirements | The technical requirements | The cost | The efficiency | Artistic reproduction effect | Repeatability |
|---|---|---|---|---|---|---|---|
| Silk screen print | The print is made into a screen in which the blank part is blocked, and the text part is ink-permeable | The production technology and conditions are higher | Have certain printing background, can operate all kinds of equipment skillfully | Low | High | Rich color and strong display | High |
|
| |||||||
| Black and white woodcut | The blank part will be removed on the board, leaving the raised text part | Moisture proof | Pay attention to three tastes (knife taste, wood taste, and seal taste) | The cost of general | Middle | Black and white composition | Middle |
|
| |||||||
| Woodcut tinted | Multicolor engraving and printing | Less demanding | Weaken knife technique and pay attention to color harmony | The cost of general | Middle | Color coordination, strengthen gray bar application | Low |
|
| |||||||
| Watermark wood | Using cellophane paper to transfer the original manuscript to a wooden board in the process of engraving | High requirements for air humidity | The layout cannot water, paper to maintain a certain humidity | The cost of general | Middle | Elegant, solemn, strong tone | Middle |
|
| |||||||
| Copperplate engravings | Etching or engraving of copper or zinc plates | Special tools and facilities are needed | Paper required 180-250 grams, pay attention to ink viscosity | The cost is high and the process is tedious | Low | Soft, delicate, strong visual impact | High |
|
| |||||||
| Lithographic prints | The original manuscript was painted on a stone slab and corroded to form a stone plate | A dedicated lithographic studio is required | Corrosion control, ink balance in the printing process | The cost is high and the process is tedious | Low | Artistic reproduction effect | High |
Figure 2Scatter plot of environmental decentralization and green development.
Figure 3Flow chart of digital technology for making silkscreen prints.
The plate-making process of the three major plate-making methods.
| Category | Plate-making process | |
|---|---|---|
| Manual imaging plate making | Hand-painted legal version | In the clean screen, the use of Arabic gum is directly painted, dry after the full plate coated with shellac, and then the printing plate immersed in the temperature of 50-60°C in water, after the Arabic gum melted, the graphic part is exposed, blank part of the mesh is shellac-blocked |
| Plate making by cutting | On the paper or transparent plastic evenly coated shellac thickness in 3-5 mm, dry in the film to depict the manuscript, and then through overheating, transfer the manuscript to the net cloth | |
| Sealing method version | Draw the drawing ray wants to print on the stretched mesh, andthen use the pen to fill in the blanks | |
|
| ||
| Photosensitive imaging plate making | Engraving film and plate making | A hollow-out mold is carved on the film, and then the mold is pasted on the screen to form a printing plate |
| Direct plate-making method | In the stretched net cloth coated with photographic glue, and then paste on the film, exposure, development, drying, and other processes, the final formation of a printing plate | |
| Indirect plate making method | Using positive negative for exposure and development, and then transferred to the mesh, plug hole, sheet base stripping, and forming of a printing plate | |
|
| ||
| Digital imaging plate making | Straight plate making | In the dry mesh on the photosensitive film, and then coated with photosensitive adhesive, film base stripping, combined with positive negative exposure and image production plate |
Screening angle reference table.
| Type | C (○) | M (○) | Y (○) | K (○) |
|---|---|---|---|---|
| Monochromatic | 45 | 45 | 45 | 45 |
| Double color | Dark 45, light 75 | |||
| Three color | 45 | 75 | 15 | |
| Four color | 75 | 15 | 0 | 45 |
Figure 4Composition of the natural environment.
Figure 5The basic process and market trend of silk screen printing.