| Literature DB >> 35998157 |
Susannah Martin1, Charlotte Chamberlain1, Alison Rivett2, Lucy E Selman1.
Abstract
The evaluation of public engagement health festivals is of growing importance, but there has been no synthesis of its practice to date. We conducted a systematic review of evidence from the evaluation of health-related public engagement festivals published since 2000 to inform future evaluation. Primary study quality was assessed using the Mixed Methods Appraisal Tool. Extracted data were integrated using narrative synthesis, with evaluation methods compared with the Queen Mary University of London public engagement evaluation toolkit. 407 database records were screened; eight studies of varied methodological quality met the inclusion criteria. Evaluations frequently used questionnaires to collect mixed-methods data. Higher quality studies had specific evaluation aims, used a wider variety of evaluation methods and had independent evaluation teams. Evaluation sample profiles were often gender-biased and not ethnically representative. Patient involvement in event delivery supported learning and engagement. These findings and recommendations can help improve future evaluations. (Research Registry ID reviewregistry1021).Entities:
Mesh:
Year: 2022 PMID: 35998157 PMCID: PMC9398006 DOI: 10.1371/journal.pone.0267158
Source DB: PubMed Journal: PLoS One ISSN: 1932-6203 Impact factor: 3.752
Fig 1PRISMA flow diagram.
Summary of included studies.
| #, Author, Year | Title | Location | Audience size | Aim of festival / Event | Evaluation aim | Evaluation methods and Researcher relationship to festival/ events | Evaluation sample size (response rate) | Outcomes assessed | Evaluation conclusion | Summary of MMAT quality appraisal |
|---|---|---|---|---|---|---|---|---|---|---|
| (#1) Brooks, 2019 | “Evaluating the acceptability of a co-produced and co-delivered mental health public engagement festival: Mental Health Matters, Jakarta, Indonesia” | Jakarta, Indonesia | 737 attendees over the 6-day festival | "1. To improve knowledge of mental health amongst attendees through a co-designed and co-delivered mental health festival 2. To strengthen relationships between community organisations, health services and higher education institutes and explore the potential for future festivals 3. To promote future engagement in mental health research” | “To explore the impact of the festival on knowledge/ understanding of mental health and future behavioural intentions 2. To develop understanding on the acceptability of undertaking mental health festivals in Indonesia to raise awareness of mental health.” | Mixed-methods: post-event structured and unstructured evaluation forms. | Forms distributed to all attendees 324 attendees completed forms (43.9% response rate) | QUANT: Design (marketing/ advertising (how did you hear about the event). Acceptability: why did they attend, Delivery: Demographics (age gender, role) experience; Which events did you attend? Quality of festival and festival overall. Values: relevance to life/ times. Emotional engagement (did you feel moved or inspired/ engaged in experience). Understanding and knowledge (increased understanding of topic). Attitude: want to find out more, exposed to new ways of thinking, intention to be involved in research. | A co-produced art-based mental health festival is an acceptable way to increase understanding of emotional health issues / promotion of public mental health to Indonesian populations. | Good quality: Qualitative data higher quality than quantitative data. Acknowledged self-selecting sample. |
| (#2) McCauley 2019 | “B!RTH: a mixed-methods survey of audience members’ reflections of a global women’s health arts and science programme in England, Ireland, Scotland, and Switzerland” | Edin-burgh, Scotland | Estimated total attendance based on theatre capacity. | “To raise awareness and debate regarding global inequalities in access to, availability and quality of maternal healthcare.” | “To assess the views and experiences of audience members who had just watched a play and/ or been involved in an expert panel discussion as part of the B!RTH programme.” | Mixed-methods: post-event questionnaire with structured and open questions. | 176 respondents in Edinburgh, 17 responses for the extended questionnaire | QUANT: Demographics (age, gender, ethnicity, theatre views) Experience: Emotional engagement: emotionally moving, identified with the characters. felt challenged and provoked. Attitude: made me think differently, concern about the topic, wanting to find out more. Knowledge and understanding/ learning: learnt something knew, opened eyes to new ideas, QUAL: Free text 5 themes: Thanks/ positive feedback (views), Innovative use of arts and science (experience), Personal feelings (engagement), Need for action (views), Suggestions for use in schools/ education (views). | "The B!RTH programme can be used as an effective tool to engage the public/stimulate debate, deliver key messages, and raise awareness of [these/ global women’s health] issues". | High quality. Appropriate use of thematic analysis and coding of qualitative data, with data quoted in results under themed headings. Clear discussion of limitations including of estimated response rate, self-selection bias and convenience sampling strategy, but missing data not discussed. |
| (#3) Verran, 2018 | “Fitting the message to the location: engaging adults with antimicrobial resistance in a World War 2 air raid shelter” | Stockport, England | 37 (out of 40 spaces available—sold out on Eventbrite) | Event about AMR designed activities to address 5 questions which framed the event. “(i) How important are antibiotics to us today? ii) How did we cope without them? iii) Can we find new antibiotics? iv) Can we develop alternatives to antibiotics? v) Why is AMR an issue and what is being done to address it?)” | “To develop, deliver and evaluate an event designed to engage an adult audience with anti-microbial resistance.” | Mixed-methods: activity output and observation | 37 (35 gingerbread men returned, 62 agar plates / swabbed and Flickr access 57 times.) | Engagement with activities | “Hands on practical engagement with AMR can enable high-level interaction and learning in an informal and enjoyable environment.” | High quality: High response rate, clear description of appropriate data collection methods. Qualitative and quantitative data were integrated and rationale for mixed methods given. Some findings not supported by data. Missing data is minimal. |
| (#4) Rose, 2017 | “Engaging the Public at a science festival: Findings from a panel on human gene editing” | Wis-consin, USA | 125 people attended the panel. | The effects of an engagement activity on audience perception of controversial science topic. “1. To increase participants’ basic knowledge about human gene editing. 2: increase both risk and benefit perception related to human gene editing, therefore increasing participants’ understanding of the complexity of the issue and potentially avoiding polarization based solely on moral concerns.” | “Explore 1. if the Wisconsin Science Festival human gene editing panel increased familiarity or perceived knowledge levels. 2. if participating increases risk perception 3. if participating increases benefit perception. 4. how will the panel affect attendees’ moral and ethical views of the technology.” | Quantitative pre-post structured survey. | 34 responses to the pre-test survey (94.1% response rate). 26 responses to the post-test survey (100% response rate). “Randomised selection… every 5th person to enter/ leave plus $2 incentive. (16 people engaged with the panel during the discussion period).” | QUANT: reach (demographics to see if the samples before and after were the same or not: age gender degree). Knowledge (perceived knowledge level before/ after), Attitude (risk and benefit perception and x1 ethics question and x2 morals questions all before / after). | Attendees felt an increase in “perceived knowledge levels, risks perceptions, benefit perceptions and moral acceptability.” | High quality: Detailed discussion of limitations e.g. acknowledgment of small sample size, and strengths e.g. using randomised sampling, statistical comparison between pre- and post- samples and between audience and wider population. |
| (#5) Brookfield 2016 | “Informal Science Learning for Older Adults” | Edin-burgh, Scotland | 50 people registered for stand-alone event and 40 people registered for the festival event. | “A free-to-attend science festival style event that presented "content" linked a project (MMP) and that incorporated several different learning formats and engagement techniques in order to gain insights into what worked.” (As a stand-alone event and within the Edinburgh International Science Festival). | “Report on the process involved in creating and promoting the event and the overall experience of delivering it in two different settings.” “To reflect on where the event succeeded and how it could have been improved, and consider its performance as a vehicle for older adults’ learning.” | Mixed-methods: post-event audience feedback forms and commentary | 38 forms in total. 39 people attended the stand-alone event. 18 people attended the festival event. | QUANT: number registered/ attended. Demographics: Age. Experience: Enjoyableness / usefulness of events Knowledge: would attendees share / use what they learnt. Attitude: Would they attend again, Behaviour: distance travelled. Marketing: Tweets. | “There is appetite for informal science learning among older adults” This type of event might be an “appealing and appropriate vehicle for informal science learning” but access can be restricted by venue choice by using an established science festival to support administration and marketing. | Low quality: Unclear and unreported approach to qualitative data collection and analysis. Not clear which data supports the conclusions or conclusions unsupported by data or quotes. Unclear sampling strategy and missing data not reported. No rationale for using a mixed-methods design. |
| (#6) Fogg-Rogers, 2015 | "Knowledge is Power": a mixed-methods study exploring adult audience preferences for engagement and learning formats over 3 years of a health science festival.” | Auckland, New Zealand | Approx. 3000 attendees at the event each year, | “To communicate information about brain health and disease along with current neuroscience research, while also engaging publics in the ongoing research process.” | Explore audience preference for engagement styles at science festivals Research question: "what formats do audiences at a science festival prefer and why?" | Mixed-methods: post-event questionnaire with structured and open questions | 661 returned over 3 years (annual response rate approx. 7%) with mean 220.3 returned each year (SD = 24.6). | QUANT: Demographics: age gender ethnicity and education levels. Living with a brain disease (not pre-specified). Experience: audience format preference via x3 Quant Q’s: perceived attractiveness, perceived usefulness, and Behaviour: attendance. Likert Scales: Experience was it a good day out for the family. Knowledge and Understanding: helped me learn more, lectures are a good way to get info, I did not learn anything, I cannot understand neuroscience). | “Health Literacy as an Asset: Festival formats employing traditional public understanding of science style communication, namely lectures, were preferred by the majority of adult participants, with the primary motivation being non-formal learning. Lectures in an asset-based model means expert dissemination of research findings are central to an engagement model, building on the knowledge, skills and understanding that people already hold.” | High quality: clear rationale for using mixed methods, to triangulate data, questionnaire was piloted, description of handling of missing data given, thematic analysis of qualitative data explained and quotes used in results under themed headings. Discussion of limitations including acknowledgment of potential sampling and response bias. |
| (#7) Bird, 2013 | “Getting Science to the Citizen—’Food Addiction’ at the British Science Festival as a Case Study of Interactive Public Engagement with High profile Scientific Controversy.” | Aberdeen Scotland | Over 170 attended the workshop/ sold out in advance | “The event addressed the controversial and high-profile area of ’food addiction’”, “to engage the public in dialogue about funded science.” | Not stated only: "the event was evaluated"/ to describe the event | Mixed methods: post-event feedback form. Not explicitly identified as evaluation methods: voting buttons, show of hands (frequency counts/ %) and an interactive challenge. | 121 completed forms. | Feedback Form: QUANT: Demographics, Experience: enjoyment and interest, met expectations, Knowledge: learnt something new, Values: relevant to life. Show of hands/ interactive challenge (no data reported), voting buttons (knowledge, activity output/ engagement). | “There is public appetite for events related to real-life health issues, the event was a successful formula for controversial topic”. “Audience appeared receptive to new information and clarification.” “It was a positive experience for presenter and audience.” | Low quality: Vague research question. Unstated methods for qualitative data analysis. Some results unsupported by data. Sampling strategy unreported. Missing data unreported. No stated reason for using a mixed-methods design. Data insufficiently reported to comment on divergences in the data. |
| (#8) Quinn, 2011 | “The impact of a national mental health arts and film festival on stigmas and recovery” | Glasgow and Lan-arkshire, Scotland | 3000 at the festival in total, 1318 at the evaluated events. Attendance at events ranged from n = 15–113 | To challenge stigma and discrimination against people with mental health problems: 1) to promote positive attitudes towards mental health amongst opinion formers and the public through arts and culture; 2) To strengthen the links between arts, community and public organisations, and explore the evidence and support for an annual festival. | i) To identify who might attend mental health arts events; ii) To identify the impact upon knowledge, attitudes and likely future behaviour; iii) To explore whether specific components of stigma (e.g. social distance, perceived dangerousness, possibility of recovery and unpredictability) were influenced by specific arts events; iv) To learn lessons for developing an evaluation framework for complex events in real-life circumstances. | Mixed Methods: Quantitative pre- and post-event questions and qualitative post-event questions on evaluation cards | 20 out of 31 events evaluated, 415 respondents out of 1318 who attended the 20 events. Response rates ranged from 9.7% - 63.6%. | QUAL Experience: Felt Inspired, reflection on attendee’s own mental health, role of the arts is important, enjoyment. Attitude: Acceptance (of difference/ society), need for support, behavioural intent (won’t change behaviour), will act positively, will participate in arts, will change work practices, will change personal health-related behaviour, will be an activist). Knowledge: Of mental health (understanding of recovery, awareness of social factors/ opened eyes, understanding of different mental health perspectives, understanding impact of mental health). Behaviour: numbers of attendees. | Modest evidence that an arts festival can impact stigma. "A collaborative national arts festival can contribute towards reducing stigma and should integrate with other national initiatives that address stigma and promote public mental health." | High quality: Reason for use of mixed methods clearly stated and explained, detailed discussion of limitations including justification of use of opportunistic sampling method, selection effects and ceiling effects. Missing data reported in results. |
Evaluation tools utilised.
| Evaluation Tool | Record ref number | Total number of studies | |
|---|---|---|---|
| Higher quality | Lower quality | ||
| Structured post-event self-completion questionnaire | #2, #6, #8 | #1, #5, #7 | 6 |
| Open question post-event self-completion questionnaire | #2, #6, #8 | #1, #5, #7 | 6 |
| Structured pre-event self-completion questionnaire | #8 | - | 1 |
| Festival activity output | #3 | #7 | 2 |
| Spoken audience questions (recorded) | #3 | - | 1 |
| Observation of engagement | #3 | - | 1 |
| Structured pre-event survey (administered) | #4 | - | 1 |
| Structured post-event survey (administered) | #4 | - | 1 |
| Social media analytics | - | #5 | 1 |
Fig 2Conceptual map of evaluated outcomes and outputs.
Demographic data for studies reporting reach.
| Record ref number | Demographics of evaluation sample or entire festival population. | Gender | Age (years) | Ethnicity | Occupation | Education |
|---|---|---|---|---|---|---|
|
| Evaluation | female = 88.6% (n = 286) | Mean = 22.5 years | n/a | Student = 50.3% (n = 163) | n/a |
|
| Evaluation | Female = 12 (71%) | 18–30 = 1 (6%) | Asian/ Asian British = 0 | n/a | n/a |
|
| Festival | Female = 52% | Median = 41 years | n/a | n/a | College degree = 91% |
|
| Evaluation | n/a | >65 (n = 21) (out of 38 people who completed the evaluation form) | n/a | n/a | n/a |
|
| Evaluation (data aggregated across three years) | Female = 66.4% | Range = 7–87 years | New Zealand European descent = 64.1% | 16% of respondents citing the festival was relevant to “career path or job” e.g. updating professional knowledge, directing future career path or the knowledge gained would be useful in their profession. | Post-graduate studies = 42.3% |
|
| Evaluation | n/a | “majority 19–40 years” | n/a | n/a | n/a |
|
| Evaluation | In evaluation sample: Gender ratios per event reported (two events with all-female audience) | Average age and range of ages per event reported. | n/a | n/a | n/a |
Note: study #3 [42] did not report demographic characteristics