| Literature DB >> 35692416 |
Marie-Anick Savard1,2,3, Anastasia G Sares1,2,3, Emily B J Coffey1,2,3, Mickael L D Deroche1,2,3.
Abstract
Individuals with misophonia, a disorder involving extreme sound sensitivity, report significant anger, disgust, and anxiety in response to select but usually common sounds. While estimates of prevalence within certain populations such as college students have approached 20%, it is currently unknown what percentage of people experience misophonic responses to such "trigger" sounds. Furthermore, there is little understanding of the fundamental processes involved. In this study, we aimed to characterize the distribution of misophonic symptoms in a general population, as well as clarify whether the aversive emotional responses to trigger sounds are partly caused by acoustic salience of the sound itself, or by recognition of the sound. Using multi-talker babble as masking noise to decrease participants' ability to identify sounds, we assessed how identification of common trigger sounds related to subjective emotional responses in 300 adults who participated in an online study. Participants were asked to listen to and identify neutral, unpleasant and trigger sounds embedded in different levels of the masking noise (signal-to-noise ratios: -30, -20, -10, 0, +10 dB), and then to evaluate their subjective judgment of the sounds (pleasantness) and emotional reactions to them (anxiety, anger, and disgust). Using participants' scores on a scale quantifying misophonia sensitivity, we selected the top and bottom 20% scorers from the distribution to form a Most-Misophonic subgroup (N = 66) and Least-Misophonic subgroup (N = 68). Both groups were better at identifying triggers than unpleasant sounds, which themselves were identified better than neutral sounds. Both groups also recognized the aversiveness of the unpleasant and trigger sounds, yet for the Most-Misophonic group, there was a greater increase in subjective ratings of negative emotions once the sounds became identifiable, especially for trigger sounds. These results highlight the heightened salience of trigger sounds, but furthermore suggest that learning and higher-order evaluation of sounds play an important role in misophonia.Entities:
Keywords: anger; anxiety; auditory cognition; emotion regulation; mental health; misophonia; sound sensitivity
Year: 2022 PMID: 35692416 PMCID: PMC9179422 DOI: 10.3389/fnins.2022.879583
Source DB: PubMed Journal: Front Neurosci ISSN: 1662-453X Impact factor: 5.152
Figure 1(A) Subjective ratings. Participants had unlimited time to rate the pleasantness of the sound (from unpleasant to pleasant) and the subjective feelings of anger, disgust, and anxiety after hearing the sound. (B) 15-alternative forced-choice task. Participants had unlimited time to click on the label corresponding to the sound that they just heard.
Figure 2Distribution of MisoQuest scores (N = 300). Least-Misophonic (LM) and Most-Misophonic (MM) groups represent the top and bottom 20% of the distribution. Actual scores are plotted below the curve (jittered for better visualization).
Figure 3(A) Psychometric functions (N = 300) for the 15-AFC identification task. Average percent identification plotted at each (SNR) level, for each sound category. Solid lines represent the mean of the fits and shaded areas represent ±1 standard deviation. Dotted lines represent chance level and the performance level chosen to define identification thresholds of the 15-AFC task. (B) Mean identification threshold for each sound category, for the Least-Misophonic (LM) and Most-Misophonic (MM) groups. Error bars represent ±1 standard deviation. Asterisk (*) indicates a statistically significant difference (p < 0.01), “n.s.” indicates a non-significant difference.
Figure 4Population results (N = 300) for subjective ratings of each sound category. Shaded areas represent ±1 standard deviation from the mean fit. The aversive sounds (blue and red) show a curvilinear trend.
ANOVA results for emotional ratings before and after recognition threshold.
|
|
|
|
| |||
|---|---|---|---|---|---|---|
| Mauchly's test of sphericity | ||||||
| Sound category | χ2(2) = 12.4, | χ2(2) = 2.8, | χ2(2) = 12.6, | χ2(2) = 2.5, | ||
| SNR × Sound category | χ2(2) = 5.0, | χ2(2) = 3.2, | χ2(2) = 3.3, | χ2(2) = 2.9, | ||
| Main effects | ||||||
| Sound category | ||||||
| SNR | ||||||
| Group | ||||||
| 2-way interactions | ||||||
| SNR × Sound category | ||||||
| SNR × Group | ||||||
| Sound category × Group | ||||||
| 3-way interaction | ||||||
| SNR × Sound category × Group | ||||||
Each column represents a different rating. All ratings showed a similar pattern of results.
Greenhouse-Geisser correction (ϵ) applied when sphericity was violated.
Figure 5Change in subjective ratings below and above identification thresholds, for each group and sound category. Unpleasantness ratings are from 0 (pleasant) to 100 (unpleasant), with 50 being a neutral rating. For Anger, Disgust, and Anxiety, ratings are from 0 (neutral) to 100. Error bars represent ±1 standard deviation.