| Literature DB >> 35431474 |
Fatimah Lateef1,2,3, Brad Peckler4, Eric Saindon5, Shruti Chandra6,7,8, Indrani Sardesai9, Mohamed Alwi Abdul Rahman10, S Vimal Krishnan11, Afrah Abdul Wahid Ali12, Rose V Goncalves13, Sagar Galwankar14.
Abstract
The components of each stage have similarities as well as differences, which make each unique in its own right. As the film-making and the movie industry may have much we can learn from, some of these will be covered under the different sections of the paper, for example, "Writing Powerful Narratives," depiction of emotional elements, specific industry-driven developments as well as the "cultural considerations" in both. For medical simulation and simulation-based education, the corresponding stages are as follows: DevelopmentPreproductionProductionPostproduction andDistribution. The art of sim-making has many similarities to that of film-making. In fact, there is potentially much to be learnt from the film-making process in cinematography and storytelling. Both film-making and sim-making can be seen from the artistic perspective as starting with a large piece of blank, white sheet of paper, which will need to be colored by the "artists" and personnel involved; in the former, to come up with the film and for the latter, to engage learners and ensure learning takes place, which is then translated into action for patients in the actual clinical care areas. Both entities have to go through a series of systematic stages. For film-making, the stages are as follows: Identification of problems and needs analysisSetting objectives, based on educational strategiesImplementation of the simulation activityDebriefing and evaluation, as well asFine-tuning for future use and archiving of scenarios/cases. Copyright:Entities:
Keywords: Debriefing; distribution; film-making; medical simulation; narrative; production; scenario; script; story
Year: 2022 PMID: 35431474 PMCID: PMC9006725 DOI: 10.4103/jets.jets_153_21
Source DB: PubMed Journal: J Emerg Trauma Shock ISSN: 0974-2700
Figure 1Human personnel role in simulation
Figure 2The S: Specific, M: Measurable, A: Attainable, R: Relevant and T: Timely objectives for scenario writing
The art of presentation
| Techniques and Pointers | |
|---|---|
| D | Delivery skills |
| E | Expectations, of self, of others you are interacting with |
| T | Topic or Theme, know this well, read about it to boost confidence |
| A | Audience, understand the people you are talking, presenting to |
| I | Individual conversation, for example, to patient, to a learner |
| L | Language choice, including choice of words to be used |
Figure 3Comparison between film-making and medical simulation
Comparison of film-making and medical simulation
| Stages | Filmmaking | Medical simulation |
|---|---|---|
| Development phase/identification of problems and needs analysis | Conceptualization | Learning objectives |
| Details of film | Spectrum and mode of simulation | |
| Target outreach | Target learner groups | |
| Assets acquisition | Equipment and setting | |
| Financing | Funding or education grant | |
| Liabilities consideration | Liabilities; consent, video-taping agreement and PDPA considerations | |
| The Story | The scenario | |
| Preproduction phase/setting the objectives | Details of execution | Details of scenario/dry run |
| Storyboard and scenes | Gather resources: Xrays, results, investigations, scans | |
| Personnel involved: Actors, crew, technical support, costume, make-up, music, choreography | Personnel: Faculty, sim-tech. SPs, confederate, technical staff, IT support | |
| Production phase/implementation of the simulation | Actual shoot | Actual run of scenario with learners as participants |
| On location | At sim lab or | |
| Review and trials, retake as needed | Video recording | |
| Recoding; digital or videography | Debriefing; either terminal or rapid cycle deliberate practice (micro-debrief) | |
| Review and repeat scenario run | ||
| Postproduction phase/debriefing and evaluation | Review of all footages | Revisit learning goals |
| Edit, change as needed | Debriefing of the learners, using specific models | |
| Decision if need to retake scenes | Debriefing of the debriefer | |
| Decision on repletion or re-run of scenario | ||
| Distribution phase/fine-tuning and archiving scenarios | Release to cinema or movie houses | Archived by sim lab/administrative staff |
| Archived, DVD | Use of online storage for future references | |
| Digital network |
PDPA: Personal data protection act, IT: Information technology, SPs: Standardised patients