| Literature DB >> 35341131 |
Maxwell Abedi1, Constance Afoakwah1, Dan Nana Osei Mensah Bonsu2.
Abstract
Lip print (LP) evidence can be an essential tool for human forensics. LPs have conventionally been developed using substances such as lysochrome dyes, fluorescent dyes, indigo dye, aluminium powder, and silver metallic powder. However, techniques for LP enhancement from various substrates are currently inconsistent and lack standardisation in practice. This review summarises current knowledge on the physical and chemical techniques of LP enhancement, identifies limitations, and provides suggestions for future research on practical applications of cheiloscopy as a forensic tool in criminal justice.Key pointsThe grooves and wrinkles of the human lip establish unique patterns that persist throughout life.Cheiloscopic patterns exhibit discriminatory individual characteristics that may constitute circumstantial forensic evidence.Enhancement techniques for latent lip prints on porous and nonporous substrates can be classified as physical or chemical.Unlike fingerprint, there is a current lack of consistency and/or standardisation on latent lip print enhancement methods in frontline forensic practice.Entities:
Keywords: Forensic sciences; cheiloscopy; fluorescent dye; lip print; lysochrome; persistent lipstick
Year: 2020 PMID: 35341131 PMCID: PMC8942486 DOI: 10.1080/20961790.2020.1751396
Source DB: PubMed Journal: Forensic Sci Res ISSN: 2471-1411
Physical and chemical enhancement methods for LPs.
| Reference | Design details | Results |
|---|---|---|
| Seguí et al. (2000), [ | Persistent lipstick was applied on the lips of volunteers, and then pressed on ceramic, glass, cotton fabric, and white paper substrates. LPs on each substrate were enhanced with developers (aluminium powder, cobalt oxide powder, and magnetic powder) after exposure to ambient conditions. |
Identifiable LPs were obtained up to 30 days after deposition. Aluminium powder and magnetic powder gave better enhancement efficiency than magnetic powder. |
| Dolly et al. (2016), [ | Visible and latent LPs were produced on various supports (white cotton fabric, white satin fabric, and white clay cup) from 60 individuals and developed using Sudan III dye, indigo blue dye, and aluminium powder. |
Sudan III dye and aluminium powder showed significant enhancement of visible LP. Indigo dye is useful for developing both visible and latent LPs. |
| Khanna et al. (2010), [ | Traditional and long-lasting lipsticks were used to obtain visible and latent LPs, respectively, from 45 volunteers on bone China cup, white satin fabric, and white cotton fabric. Samples were developed by dusting with a camel hair brush and were lifted using an appropriate adhesive tape. |
There was no appreciable difference between the enhancement efficiency by natural (vermilion and indigo dye) and lysochrome (Sudan Black) dyes. |
| Fonseca et al. (2014), [ | Latent LPs were produced on metallic straw ( |
White volcano powder was most effective for LP development, followed by fluorescent powder and Silk Black volcano powder. |
| Castello et al. (2002), [ | Lipstick was applied on the lips of 10 volunteers. Prints were produced and developed on tissue paper and white cotton fabric using lysochrome dye (Sudan III, Sudan Black, and Oil Red O), ninhydrin, and fingerprint (FP) powders (FP red powder, FP black powder, and silver metallic powder). |
There was a quality enhancement of prints on both substrates using solution or powder lysochrome dyes (in the order: Sudan Black > Oil Red O > Sudan III). Ninhydrin produced a negative result. |
| Navarro et al. (2006), [ | A total of 17 corpses were utilised. A mould made of silicone was created to simulate the human lip. A protective or long-lasting lipstick was spread on the mould and afterwards pressed against the corpse’s skin (right side of the neck and the anterior region of the forearm). Development of LP was initialised with powder lysochromes (Sudan III, Sudan Black, and Oil Red O). |
Sudan Black produced better results than Sudan III and Oil Red O in terms of enhancing latent LPs. |
| Kumar et al. (2010), [ | Latent LPs of 200 participants were made on a rough surface without applying any lipstick. Prior to print production, each lip was cleaned with gauze moistened in saline water and dried with sterile cotton. Lysochrome dye (Oil Red O) and fluorescent dye (Nile Blue) were utilised for latent LP enhancement. |
There were clear and well-defined lip grooves and wrinkles in prints developed with fluorescent dye relative to those enhanced with lysochrome dyes. |
| Castelló et al. (2005), [ | The study utilised existing pre-existing latent LP (over 1 year old) produced on a colored substrate. Nile Red (fluorescent dye), both in powder and as an alcoholic solution, were used to develop prints. UV light (320–400 nm) and an alternate light source (390–520 nm) were utilised for print visualisation. |
Good-quality prints (with well-defined shapes and outlines) were obtained with fluorescent dye (Nile Red). |