Literature DB >> 34014375

Effects of intention in the imitation of sung and spoken pitch.

Peter Q Pfordresher1, James T Mantell2, Tim A Pruitt3.   

Abstract

Pitch content is an important component of song and speech. Previous studies have shown a pronounced advantage for imitation of sung pitch over spoken pitch. However, it is not clear to what extent matching of pitch in production depends on one's intention to imitate pitch. We measured the effects of intention to imitate on matching of produced pitch in both vocal domains. Participants imitated pitch content in speech and song stimuli intentionally ("imitate the pitch") and incidentally ("repeat the words"). Our results suggest that the song advantage exists independently of whether participants explicitly intend to imitate pitch. This result supports the notion that the song advantage reflects pitch salience in the stimulus. On the other hand, participants were more effective at suppressing the imitation of pitch for song than for speech. This second result suggests that it is easier to dissociate phonetic content from pitch in the context of song than in speech. Analyses of individual differences showed that intention to imitate pitch had larger effects for individuals who tended to match pitch overall in production, independent of intentions. Taken together, the results help to illuminate the psychological processes underlying intentional and automatic vocal imitation processes.
© 2021. The Author(s), under exclusive licence to Springer-Verlag GmbH Germany, part of Springer Nature.

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Year:  2021        PMID: 34014375     DOI: 10.1007/s00426-021-01527-0

Source DB:  PubMed          Journal:  Psychol Res        ISSN: 0340-0727


  11 in total

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Review 2.  Can nonlinguistic musical training change the way the brain processes speech? The expanded OPERA hypothesis.

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Review 3.  Perception and action in singing.

Authors:  Sean Hutchins; Isabelle Peretz
Journal:  Prog Brain Res       Date:  2011       Impact factor: 2.453

4.  Vocal imitation of song and speech.

Authors:  James T Mantell; Peter Q Pfordresher
Journal:  Cognition       Date:  2013-03-01

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Authors:  Simone Falk; Tamara Rathcke; Simone Dalla Bella
Journal:  J Exp Psychol Hum Percept Perform       Date:  2014-06-09       Impact factor: 3.332

6.  Distinct sensitivity to spectrotemporal modulation supports brain asymmetry for speech and melody.

Authors:  Benjamin Morillon; Robert J Zatorre; Philippe Albouy; Lucas Benjamin
Journal:  Science       Date:  2020-02-28       Impact factor: 47.728

Review 7.  Modularity of music processing.

Authors:  Isabelle Peretz; Max Coltheart
Journal:  Nat Neurosci       Date:  2003-07       Impact factor: 24.884

8.  Acquired and congenital disorders of sung performance: A review.

Authors:  Magdalena Berkowska; Simone Dalla Bella
Journal:  Adv Cogn Psychol       Date:  2009-11-12

9.  Speaking to a common tune: Between-speaker convergence in voice fundamental frequency in a joint speech production task.

Authors:  Vincent Aubanel; Noël Nguyen
Journal:  PLoS One       Date:  2020-05-04       Impact factor: 3.240

10.  Universal and Non-universal Features of Musical Pitch Perception Revealed by Singing.

Authors:  Nori Jacoby; Eduardo A Undurraga; Malinda J McPherson; Joaquín Valdés; Tomás Ossandón; Josh H McDermott
Journal:  Curr Biol       Date:  2019-09-19       Impact factor: 10.900

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