| Literature DB >> 33996378 |
Abstract
Climate change is borderless, and its impacts are not shared equally by all communities. It causes an imbalance between people by creating a more desirable living environment for some societies while erasing settlements and shelters of some others. Due to floods, sea level rise, destructive storms, drought, and slow-onset factors such as salinization of water and soil, people lose their lands, homes, and natural resources. Catastrophic events force people to move voluntarily or involuntarily. The relocation of communities is a debatable climate adaptation measure which requires utmost care with human rights, ethics, and psychological well-being of individuals upon the issues of discrimination, conflict, and security. As the number of climate-displaced populations grows, the generations-deep connection to their rituals, customs, and ancestral ties with the land, cultural practices, and intangible cultural heritage become endangered. However, intangible heritage is often overlooked in the context of climate displacement. This paper presents reflections based on observations regarding the intangible heritage of voluntarily displaced communities. It begins by examining intangible heritage under the threat of climate displacement, with place-based examples. It then reveals intangible heritage as a catalyst to building resilient communities by advocating for the cultural values of indigenous and all people in climate action planning. It concludes the discussion by presenting the implications of climate displacement in existing intangible heritage initiatives. This article seeks to contribute to the emerging policies of preserving intangible heritage in the context of climate displacement.Entities:
Keywords: Climate adaptation; Climate displacement; Climate justice; Climate relocation; Intangible cultural heritage; Stakeholder involvement
Year: 2021 PMID: 33996378 PMCID: PMC8105694 DOI: 10.1007/s13412-021-00697-y
Source DB: PubMed Journal: J Environ Stud Sci
Fig. 1A tribal (chakma) woman making her cloth. Photo by Hasib Wahab taken on 25 December 2012, Flickr (https://flic.kr/p/dR3rnM). CC BY-NC-ND 2.0. Accessed 1 January 2021
Fig. 2Master potter Herberto Ramírez, the last potter of Mompox, has dedicated himself to the transmission of his knowledge among the new generations, so this traditional craft does not disappear with him, © UNESCO, https://ich.unesco.org/en/BSP/safeguarding-strategy-of-traditional-crafts-for-peace-building-01480
Fig. 3Storytelling on a stone heap. The image is courtesy of Martha Lerski