| Literature DB >> 33808817 |
Giulia Tola1, Valentina Talu1, Tanja Congiu1, Paul Bain2, Jutta Lindert3.
Abstract
Built environment design can be considered as an influential factor in the quality of life of people with autism spectrum disorder (ASD). This scoping review provides an overview of the current available literature on the relationship between people with ASD and built environment in the specific field of the design of autism-friendly spaces. The literature review allowed the identification of three main factors to be considered when designing for people with ASD-the sensory quality, the intelligibility, and the predictability of the built environment-and, for each of them, a description of the spatial requirements that have been recognized as fundamental according to the specific spatial needs of people with ASD.Entities:
Keywords: autism spectrum disorder; built environment; scoping review; spatial requirements
Mesh:
Year: 2021 PMID: 33808817 PMCID: PMC8003767 DOI: 10.3390/ijerph18063203
Source DB: PubMed Journal: Int J Environ Res Public Health ISSN: 1660-4601 Impact factor: 3.390
Search settings.
| Search Topics | Search Terms |
|---|---|
| Autism | autism spectrum disorder (MesH); autism; autistic |
| Built environment | environment design (MesH); residence characteristics (MesH); architecture (MesH); built environment; urban environment |
| Spatial design | design guide; design feature; sensory design; urban space; design criteria; neighbourhood |
Eligibility criteria.
| Inclusion Criteria | Exclusion Criteria |
|---|---|
| The papers are peer-reviewed studies, monographies, and grey literature (reports and guidelines of case studies and realized projects). | Review articles, dissertations, conference proceedings, editorials, and comments. |
| The studies outcomes are design criteria, guidelines, spatial requirements to promote and design autism-friendly environment. | Studies afferent to other disciplinary fields whose outcomes are not strictly related to spatial design (as, for example, medical and clinical studies). |
| The outcomes are referred to the needs of people with ASD without any limitation in age and in severity within the spectrum. |
Figure 1The studies selection process is reported according to the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) flowchart model [29].
Autism friendly spatial requirements.
| DESIGN CRITERIA | SPATIAL REQUIREMENTS AND DESIGN RECCOMENDATIONS | REFERENCES |
|---|---|---|
| SENSORY QUALITY | ||
| LOW AROUSAL ENVIRONMENT | VISUAL STIMULI reducing clutter by organizing the space with storage, shelves and cabinets; minimizing visual stimuli and details eliminating nonessential visual materials; avoiding to install too many openings on classroom wall, the outside view can be distracting. preferring natural lighting (avoiding direct sunlight) and ventilation; avoiding fluorescent lighting because of the visual issue of flickering and the auditory issue of the low humming sound it emits, preferring LED lights instead; using adjustable intensity lighting systems with diffuse light source to avoid glare; providing plenty of shade, both with trees and shade structures as person with ASD are often photosensitive; installing high-level windows to the exterior, to avoid visual distraction and limit glare effect. using a limited number of simple and non-reflective materials and textures; preferring robust materials, with similar characteristics of domestic ones to avoid a too institutional and rigid environment; using smooth and wide surfaces. preferring soft, natural colours: whites, off-whites and pale pink tones are among the most popular choices (this cannot be generalized because it depends on the functioning level of the users and their sensory preferences/character); limiting colour contrast; using plants to separate environments devoted to different functions characterized also by different sensory stimulation level (e.g., use essences with soft colours along the paths and essences with bright colours only at the nodes). using anti-trauma and sound-absorbing flooring (e.g., natural materials as softwoods like pine, natural sisal, or certain sound-absorbent vinyl, cork boarding); using carpeting and wood furniture. adopting sound-reducing techniques for the external wall perimeter of the building, particularly if it is located in areas adjacent to high noise sources (heavy traffic streets, neighbouring public spaces like parks or schools); avoiding high ceilings; providing thick or soundproof walls by installing for example acoustical panelling along the lengths of the walls, colour coded with neutral tones arranged to follow a wayfinding scheme and without any sharp edging for mitigating echo. providing build green roofs, whenever possible, to limit the impact acoustic of the rain. ensuring a good level of sound insulation between the different rooms; installing higher efficiency fans with quieter performance with switches operated manually to avoid sudden activation; reducing the openings in number as well as in size in areas requiring high acoustical quality such as a bedroom or speech therapy room; double or triple glazed windows and heavy curtains can also be used; avoiding the “greenhouse” effect and providing a graduated series of acoustically modified rooms (depending on activities) to help children generalizing skills and not to become dependent upon an optimum acoustical quality. ensuring a good ventilation for hyper-olfactory sensitive. | Ahrentzen, S., Steele K. (2009) [ |
| TRANSITION SPACES |
Providing transition elements and areas between different activities/spaces to allows individuals to orient themselves or to rebalance sensory stimuli before experiencing environments with different functions and levels of sensory stimulation. Locating sequence activities to introduce elements slowly. Designing buffer areas such as gardens and outdoor learning spaces as transitional zone by allowing the sensory recalibration of the students while moving from a high stimulus function to a low-stimulus high focus activity. | Ahrentzen, S., Steele K. (2009) [ |
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Grouping activities in accordance to sensory zoning rather than conventional functional zoning; this means localizing sensorial compatible functions together (e.g., “high-stimulus” functions like music, art, crafts and psychomotor therapy together while, on the other hand, “low-stimulus functions” as speech therapy, one to one instruction and general classrooms, requiring a high level of focus). Dividing also the garden into different sensory areas on the basis on their stimulation level. | Gaudion K., Mc Ginley, C. (2012) [ | |
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Defining clear spatial distinction between the different activity/sensory stations by organizing a classroom or even an entire building into compartments (through furniture arrangement as bookcases, different flooring material as coloured tape or carpets squares, difference in level or even through variances in lighting). Avoiding multi-functional and ambiguous areas to reduce sensory confusion. | Gaines, K.S., Curry, Z., Shroyer, J., Amor, C., Lock, R.H. (2014) [ | |
| QUIET SPACES |
Providing calming and soothing areas for one-to-one teaching or interaction to retreat from overwhelming social situations; these spaces should be: small and neutral in terms of sensory environment then with minimal distractions; located by keeping the visual relationship with the surroundings, also to allow supervision; partially and perceptually separated from the main space by using different design solutions: vegetation in outdoor spaces, with the location of bookcases in classrooms, with coloured masking tape marking off the area or through the placement of an area rug; customizable to provide the necessary sensory input. Positioning “difficult environment” as the dining hall close to the classroom dedicated to children with autism therefore they can get in first and are able to leave if are uncomfortable. | Ahrentzen, S., Steele K. (2009) [ |
| CLEAR AND SIMPLE |
Designing a simple, well-defined space layout (e.g., providing a radial layout). Preferring multifunctional circulation spaces to traditional corridors to allow the possibility of choosing the use of space. | Ahrentzen, S., Steele, K. (2009) [ |
| INTELLEGIBILITY | ||
| VISUAL RELATION |
Ensuring a good visual relationship between different environments, interior and exterior of the building and also in the classroom to allow the teacher to see when a pupil is starting to get agitated or distressed. Organizing the space to facilitate discreet supervision of the different environments. Delimiting outdoor recreation areas. | Ahrentzen, S., Steele K. (2009) [ |
| PREDICTABILITY AND ROUTINE |
Emphasizing order, sequence and routine by organizing activities and functions according to ‘one-way’ circulation arrangement, referring to the daily schedule and routine, from inside the classroom to the building as a whole. Making provision for positioning visual schedules for example with class timetable to help children be prepared for what it’s supposed to happen during the lesson, with visual aids to provide instructions for activities that can take place in different environments, by naming hallways and using color-coded zones, signs and numbering systems. Preferring curvilinear walls: corners can hide dangers or unexpected things/situations and convey a sense of restlessness. In outdoor environments include some elements of consistency (hedge, stone wall) to create predictable pattern. | Gaudion K., Mc Ginley, C. (2012) [ |
| CIRCULATION AND POSSIBILITY OF CHOOSING |
Providing opportunities for choice-making and for different levels of social interaction by including both personal spaces, to accommodate small groups (two or three people) and to enhance feelings of closeness, intimacy, and safety, and collective spaces for work and leisure. Including additional area in the classroom to allow children with ASD having more personal space when they need; providing a hierarchy of spaces, a centrally spacious circulation space giving the possibility to decide where to go and directly connected to the classroom. Organizing the playground in different small areas by giving the possibility to children to choice for places to go and avoiding crowded situations; allowing direct access to this area from the classroom (specifically for the class dedicated to children with autism). | Ahrentzen, S., Steele K. (2009) [ |
| PROPORTION AND PROXEMICS |
Designing spaces with the right proportions, not too small or with too low ceilings that convey a sense of oppression but not even oversized and with too high ceilings. Avoiding large open spaces or too long corridors (particularly when combined with nonsound absorbent finishing materials to not create echoes) that can turn into dead space for children who tend to orbit as a way of maintaining control of their bodies. | Giofrè, F. (2010) [ |
| ORIENTATION | ||
| VISUAL SUPPORTS |
Using circulation schemes reporting the visual daily schedules (often based on the “Picture Exchange Communication System”—PECS) helps students in transferring learning from the classroom (where these pictograms systems are used) to the hallways. Adopting visual supports (images, words, colours) (i) to give information about the use and functions of different spaces, (ii) to give indications on how to use certain play and elements (e.g., potentially dangerous objects as household appliances, electrical outlets, windows, doors, etc.) and (iii) to report potentially critical points (e.g., stairs or slopes). | Ahrentzen, S., Steele K. (2009) [ |
| WAYFINDING |
Providing maps and creating evident paths by using colour coding and labels helps to support orientation. In addition, enhancing visual features by introducing vegetation and colours (on flooring, walls, doors, etc.) makes easier recognisability and wayfinding of different activities, spaces and sensory areas. | Gaudion K., Mc Ginley, C. (2012) [ |