| Literature DB >> 33682839 |
Gianfranco Cervellin1, Ugo Longobardi2, Giuseppe Lippi3.
Abstract
The use of eponyms adds a valuable historical context to the art of medicine, and shall hence be encouraged, nevertheless their use must always reflect an appropriate historical and medical terminology. A bizarre narration concerns the widespread term "St. Anthony's fire", which has been used for denoting not less than three distinct diseases. In this article we underscore that at least three distinct diseases, one toxic (i.e., ergotism) and two infectious (i.e., erysipelas and herpes zoster) have been called, in different times and countries, with the same eponym term of "St. Anthony's fire", whilst some other diseases may have also been comprised under this "umbrella" definition. It is possible, for example, that even some cases of plague may have been misclassified as "St. Anthony's fire". This article also deals with the importance of this topic in the history of art. Several important artists in different periods, in particular painters, were inspired from the history of St. Anthony, who is generally represented in association with fire (representing the burning pain of the diseases), pig (symbolizing the fat of pigs used in the past for relieving skin symptoms), and different "temptations" (devils, food, gold, jewelry, etc.). A literary masterwork is also cited and discussed.Entities:
Mesh:
Year: 2020 PMID: 33682839 PMCID: PMC7975928 DOI: 10.23750/abm.v92i1.9015
Source DB: PubMed Journal: Acta Biomed ISSN: 0392-4203
Figure 1.Mathias Grünewald (1480-1528): St. Anthony temptations (particular, showing skin manifestation of St. Anthony’s fire)
Figure 2.Giovanni Gerolamo Savoldo (1480-1548): St. Anthony temptations
Figure 4.Salvador Dalí (1904-1989): St. Anthony temptations