| Literature DB >> 31244716 |
Iris Hübscher1, Pilar Prieto2,3.
Abstract
Children might combine gesture and prosody to express a pragmatic meaning such as a request, information focus, uncertainty or politeness, before they can convey these meanings in speech. However, little is known about the developmental trajectories of gestural and prosodic patterns and how they relate to a child's growing understanding and propositional use of these sociopragmatic meanings. Do gesture and prosody act as sister systems in pragmatic development? Do children acquire these components of language before they are able to express themselves through spoken language, thus acting as forerunners in children's pragmatic development? This review article assesses empirical evidence that demonstrates that gesture and prosody act as intimately related systems and, importantly, pave the way for pragmatic acquisition at different developmental stages. The review goes on to explore how the integration of gesture and prosody with semantics and syntax can impact language acquisition and how multimodal interventions can be used effectively in educational settings. Our review findings support the importance of simultaneously assessing both the prosodic and the gestural components of language in the fields of language development, language learning, and language intervention.Entities:
Keywords: child language acquisition; gesture acquisition; multimodal communication and learning; prosody acquisition; sociopragmatic development
Year: 2019 PMID: 31244716 PMCID: PMC6581748 DOI: 10.3389/fpsyg.2019.01259
Source DB: PubMed Journal: Front Psychol ISSN: 1664-1078
Overview of the studies that have studied the development of different pragmatic functions by including gestural and/or prosodic cues.
| Pragmatic function | References | Design | Ages | Gesture cues | Prosodic cues | Production/Perception | Language acquiring |
|---|---|---|---|---|---|---|---|
| Speech act | Observational | 0;2, 0;6, 1;0 | Pointing gestures | – | Production | Italian | |
| Speech act | Observational | 0;11 – 3;01 | Pointing gestures | – | Production | French | |
| Speech act | Experimental | 1;0 | Pointing gestures | – | Production/ Perception | German | |
| Speech act | Observational | 0;11 – 1;8 | – | Intonation contours | Production | Catalan and Spanish | |
| Speech act | Experimental | 1;2 – 1;6 | – | Prosodic contours | Perception | English | |
| Speech act | Observational | 0;7 – 0;11 | – | Pitch and duration | Production | Catalan | |
| Speech act | Experimental | 1;2 | Pointing gestures | - | Perception | Hungarian | |
| Speech act | Experimental | 1;2 | Pointing gestures | Intonation contour | Production | Dutch | |
| Speech act | Experimental | 0;11 – 1;2 | Pointing gestures | intonation, contour, pitch range and mean syllable duration | Production | Catalan | |
| Speech act | Observational/ Semi-structured play | 0;9 – 1;3 | Pointing gestures | Several acoustic parameters | Production | Spanish | |
| Speech act | Observational | 1;0 – 2;4 | – | Intonation and duration | Production | Portuguese | |
| Speech act | Experimental | 1;0, 1;3, 1;6 | Pointing gestures | Duration, mean F0, key, final contour | Production | Italian | |
| Speech act | Experimental | 1;0 | Pointing gestures | Pitch range and syllable duration | Perception | Dutch | |
| Information focus | Observational | 2;0 – 3;6 | Gestures (iconic, deictic, beat) | – | Production | French-English bilingual | |
| Information focus | Experimental | 6;0 – 8;11 | – | Pitch accent | Perception | English | |
| Information focus | Experimental | 5;0 –7;11 | Beat gestures | Rythmic marking of speech | Production | English | |
| Information focus | Experimental | 1;0 | Pointing gestures | Pitch accent | Production | Catalan | |
| Information focus | Experimental | 4;0-4;11 | – | Pitch and duration | Perception | English | |
| Information focus | Observational/semi-structured play | 0;8 – 1;16 | Pointing gestures | Intonation | Production | English | |
| Information focus | Observational/ Semi-structured play | 0;9, 1;0, 1;3, 1;6 | Pointing gestures | Vocalizations | Production | Spanish | |
| Information focus | Experimental | 5;0 – 5;11 | Head nods | Syllable duration marking | Perception | French | |
| Epistemic stance | Experimental | 3;0 – 6;11 | – | Intonation | Perception | English | |
| Epistemic stance | Experimental | 1;0 | Pointing gestures | – | Production | Dutch | |
| Epistemic stance | Experimental | 3;0 – 4;11 | Head tilt, head shake, shoulder shrug, looking away | – | Production | German | |
| Epistemic stance | Experimental | 3;0 – 5;11 | Head tilt, raised eyebrows | Intonation | Perception | Catalan | |
| Epistemic stance | Observational | 1;2 – 3;6 | Hand flip (PUOH gesture) | – | Production | English | |
| Epistemic stance | Experimental | 3;0 – 5;11 | Head tilt and raised eyebrows | Intonation, fillers and vowel lengthening | Production | Catalan | |
| Politeness | Experimental | 3;0 – 7;11 | – | Intonation | Perception and Production | Italian | |
| Politeness | Experimental | 9;0 – 10;11 | Facial cues | Intonation | Perception | Japanese | |
| Politeness | Experimental | 3;0-3;11 | Facial cues | Intonation | Perception | Catalan | |
| Politeness | Experimental | 3;0– 5;11 | Body and facial cues | Pitch, duration, intensity, voice quality | Production | Catalan |