| Literature DB >> 3051348 |
Abstract
The verve of op art, the serenity of a pointillist painting and the 3-D puzzlement of an Escher print derive from the interplay of the art with the anatomy of the visual system. Color, shape and movement are each processed separately by different structures in the eye and brain and then are combined to produce the experience we call perception.Entities:
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Year: 1988 PMID: 3051348 DOI: 10.1038/scientificamerican0188-78
Source DB: PubMed Journal: Sci Am ISSN: 0036-8733 Impact factor: 2.142