Literature DB >> 30347313

Individual differences in absolute pitch performance: Contributions of working memory, musical expertise, and tonal language background.

Stephen C Van Hedger1, Howard C Nusbaum2.   

Abstract

By definition, individuals with absolute pitch (AP) can categorize with near perfect accuracy without a reference pitch. This definition implies a uniformity of performance across people; however, in reality AP is a complex, multidimensional ability, shaped by both early and recent auditory experiences. In the present study we assess whether AP possessors' accuracy for identifying isolated notes is more distributed when judging more challenging instrumental timbres and octaves, as well as whether variability in note categorization could be explained through individual differences in musical expertise, language background, or working memory. In a standard test of AP, all participants performed virtually perfectly. When tested on the challenging notes, performance was more normally distributed. In exploratory analyses, we found (1) lower accuracy among participants who speak a tonal language, (2) less musical expertise among tonal language participants, and (3) a positive relationship between working memory and note performance among tonal language participants that was not present for non-tonal language participants. Taken together, these results highlight the complexity of AP categorization when considered as an auditory skill rather than a native talent. The observation that working memory may be an important in AP categorization under some challenging circumstances is consistent with recent theoretical accounts of how working memory and expertise relate to auditory recognition more broadly.
Copyright © 2018. Published by Elsevier B.V.

Entities:  

Keywords:  Absolute pitch; Expertise; Language; Music; Perception; Working memory

Mesh:

Year:  2018        PMID: 30347313     DOI: 10.1016/j.actpsy.2018.10.007

Source DB:  PubMed          Journal:  Acta Psychol (Amst)        ISSN: 0001-6918


  5 in total

1.  Experiential and Cognitive Predictors of Sight-Singing Performance in Music Higher Education.

Authors:  Justine Pomerleau-Turcotte; Maria Teresa Moreno Sala; Francis Dubé; François Vachon
Journal:  J Res Music Educ       Date:  2021-10-25

2.  Absolute pitch can be learned by some adults.

Authors:  Stephen C Van Hedger; Shannon L M Heald; Howard C Nusbaum
Journal:  PLoS One       Date:  2019-09-24       Impact factor: 3.240

3.  Suppression of Pitch Labeling: No Evidence for an Impact of Absolute Pitch on Behavioral and Neurophysiological Measures of Cognitive Inhibition in an Auditory Go/Nogo Task.

Authors:  Marielle Greber; Lutz Jäncke
Journal:  Front Hum Neurosci       Date:  2020-11-12       Impact factor: 3.169

4.  Use of explicit priming to phenotype absolute pitch ability.

Authors:  Jane E Bairnsfather; Margaret S Osborne; Catherine Martin; Miriam A Mosing; Sarah J Wilson
Journal:  PLoS One       Date:  2022-09-14       Impact factor: 3.752

Review 5.  How far musicality and perfect pitch are derived from genetic factors?

Authors:  Krzysztof Szyfter; Michał P Witt
Journal:  J Appl Genet       Date:  2020-06-12       Impact factor: 3.240

  5 in total

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