How does the perceptual organization of a multi-tone mixture interact with partial and global loudness judgments?

Two experiments were conducted to investigate how the perceptual organization of a multi-tone mixture interacts with global and partial loudness judgments. Grouping (single-object) and segregating (two-object) conditions were created using frequency modulation by applying the same or different modulation frequencies to the odd- and even-rank harmonics. While in Experiment 1 (Exp. 1) the two objects had the same loudness, in Experiment 2 (Exp. 2), loudness level differences (LLD) were introduced (LLD = 6, 12, 18, or 24 phons). In the two-object condition, the loudness of each object was not affected by the mixture when LLD = 0 (Exp. 1), otherwise (Exp. 2), the loudness of the softest object was modulated by LLD, and the loudness of the loudest object was the same regardless of whether it was presented in or out of the mixture. In the single- and the two-object conditions, the global loudness of the mixture was close to the loudness of the loudest object. Taken together, these results suggest that while partial loudness judgments are dependent on the perceptual organization of the scene, global loudness is not. Yet, both partial and global loudness computations are governed by relative "saliences" between different auditory objects (in the segregating condition) or within a single object (in the grouping condition).