Literature DB >> 27677050

Audience gaze while appreciating a multipart musical performance.

Satoshi Kawase1, Satoshi Obata2.   

Abstract

Visual information has been observed to be crucial for audience members during musical performances. The present study used an eye tracker to investigate audience members' gazes while appreciating an audiovisual musical ensemble performance, based on evidence of the dominance of musical part in auditory attention when listening to multipart music that contains different melody lines and the joint-attention theory of gaze. We presented singing performances, by a female duo. The main findings were as follows: (1) the melody part (soprano) attracted more visual attention than the accompaniment part (alto) throughout the piece, (2) joint attention emerged when the singers shifted their gazes toward their co-performer, suggesting that inter-performer gazing interactions that play a spotlight role mediated performer-audience visual interaction, and (3) musical part (melody or accompaniment) strongly influenced the total duration of gazes among audiences, while the spotlight effect of gaze was limited to just after the singers' gaze shifts.
Copyright © 2016. Published by Elsevier Inc.

Keywords:  Audience; Audiovisual; Ensemble performance; Eye tracking; Gaze; High-voice effect; Joint attention; Multipart music; Musical communication; Singing

Mesh:

Year:  2016        PMID: 27677050     DOI: 10.1016/j.concog.2016.09.015

Source DB:  PubMed          Journal:  Conscious Cogn        ISSN: 1053-8100


  1 in total

1.  Cross-Modal Perception of Noise-in-Music: Audiences Generate Spiky Shapes in Response to Auditory Roughness in a Novel Electroacoustic Concert Setting.

Authors:  Kongmeng Liew; PerMagnus Lindborg; Ruth Rodrigues; Suzy J Styles
Journal:  Front Psychol       Date:  2018-02-20
  1 in total

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