Literature DB >> 26073040

The sound of you and me: Novices represent shared goals in joint action.

Janeen D Loehr1,2, Cordula Vesper1,3.   

Abstract

People performing joint actions coordinate their individual actions with each other to achieve a shared goal. The current study investigated the mental representations that are formed when people learn a new skill as part of a joint action. In a musical transfer-of-learning paradigm, piano novices first learned to perform simple melodies in the joint action context of coordinating with an accompanist to produce musical duets. Participants then performed their previously learned actions with two types of auditory feedback: while hearing either their individual action goal (the melody) or the shared action goal (the duet). As predicted, participants made more performance errors in the individual goal condition than in the shared goal condition. Further experimental manipulations indicated that this difference was not due to different coordination requirements in the two conditions or perceptual dissimilarities between learning and test. Together, these findings indicate that people form representations of shared goals in contexts that promote minimal representations, such as when learning a new action together with another person.

Entities:  

Keywords:  Auditory-motor integration; Duet music performance; Joint action; Shared action goals; Transfer of learning

Mesh:

Year:  2015        PMID: 26073040     DOI: 10.1080/17470218.2015.1061029

Source DB:  PubMed          Journal:  Q J Exp Psychol (Hove)        ISSN: 1747-0218            Impact factor:   2.143


  11 in total

Review 1.  Predictive joint-action model: A hierarchical predictive approach to human cooperation.

Authors:  Ana Pesquita; Robert L Whitwell; James T Enns
Journal:  Psychon Bull Rev       Date:  2018-10

2.  Force asymmetry deteriorates complementary force production during joint action.

Authors:  Junya Masumoto; Nobuyuki Inui
Journal:  Exp Brain Res       Date:  2019-05-11       Impact factor: 1.972

3.  A metastable attractor model of self-other integration (MEAMSO) in rhythmic synchronization.

Authors:  Ole Adrian Heggli; Ivana Konvalinka; Morten L Kringelbach; Peter Vuust
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2021-08-23       Impact factor: 6.671

4.  Minimalist Social-Affective Value for Use in Joint Action: A Neural-Computational Hypothesis.

Authors:  Robert Lowe; Alexander Almér; Gustaf Lindblad; Pierre Gander; John Michael; Cordula Vesper
Journal:  Front Comput Neurosci       Date:  2016-08-23       Impact factor: 2.380

Review 5.  Joint Action: Mental Representations, Shared Information and General Mechanisms for Coordinating with Others.

Authors:  Cordula Vesper; Ekaterina Abramova; Judith Bütepage; Francesca Ciardo; Benjamin Crossey; Alfred Effenberg; Dayana Hristova; April Karlinsky; Luke McEllin; Sari R R Nijssen; Laura Schmitz; Basil Wahn
Journal:  Front Psychol       Date:  2017-01-04

6.  Spontaneous adaptation explains why people act faster when being imitated.

Authors:  Jarosław R Lelonkiewicz; Chiara Gambi
Journal:  Psychon Bull Rev       Date:  2017-06

7.  Evidence for a dyadic motor plan in joint action.

Authors:  Lucia Maria Sacheli; Elisa Arcangeli; Eraldo Paulesu
Journal:  Sci Rep       Date:  2018-03-22       Impact factor: 4.379

8.  Effect- and Performance-Based Auditory Feedback on Interpersonal Coordination.

Authors:  Tong-Hun Hwang; Gerd Schmitz; Kevin Klemmt; Lukas Brinkop; Shashank Ghai; Mircea Stoica; Alexander Maye; Holger Blume; Alfred O Effenberg
Journal:  Front Psychol       Date:  2018-03-29

9.  Body sway reflects joint emotional expression in music ensemble performance.

Authors:  Andrew Chang; Haley E Kragness; Steven R Livingstone; Dan J Bosnyak; Laurel J Trainor
Journal:  Sci Rep       Date:  2019-01-18       Impact factor: 4.379

Review 10.  Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity.

Authors:  Laura Bishop
Journal:  Front Psychol       Date:  2018-07-24
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