Literature DB >> 26046611

Exploring Active and Passive Contributors to Turnout in Dancers and Non-Dancers.

Kristen Sutton-Traina1, Jo A Smith, Danielle N Jarvis, Szu-Ping Lee, Kornelia Kulig.   

Abstract

OBJECTIVE: Lower-extremity external rotation, or turnout, is a fundamental skill in dance. Active standing turnout has previously been measured using low-friction turnout disks. Turnout is influenced by passive range of motion (ROM) and strength, with passive ROM a function of bony morphology and ligamentous/capsular restraints.
PURPOSE: Our study explored the relationship between standing active turnout and femoral bony morphology, hip passive ROM, and strength among dancers and non-dancers.
METHODS: Cross-sectional cohort study. Twenty-three female dancers and 13 female non-dancers aged 18 to 30 yrs were recruited. Standing active turnout on reduced-friction disks, ultrasound images of femoral version, supine passive turnout, and hip abductor and external rotator strength were collected.
RESULTS: Dancers demonstrated greater standing turnout (107° ± 18°) than non-dancers (92° ± 28°), but the difference was not statistically significant (p=0.054). A significant difference was found for femoral version (p<0.001), 4.7° ( ± 2.8°) for dancers vs 12.1° ( ± 4.6°) for non-dancers. Dancers demonstrated greater supine turnout, 102.7°±18.8°, compared to non-dancers, 84.3° ± 30.4° (p=0.031). Dancers were able to achieve greater peak force in turnout compared to non-dancers: 2.44 ± 0.44 N/kg and 1.72 ± 0.59 N/kg, respectively (p<0.0001). Supine total turnout was the best predictor of active turnout, contributing 48% of the variance (r=0.696, p<0.001).
CONCLUSION: Our findings suggest supine turnout is the largest predictor for standing turnout. Investigating dancers and non-dancers independently, our finding were similar to previous studies suggesting the femoro-acetabular complex may be influenced by dance training, contributing to differences in bony morphology between dancers and non-dancers. Although strength did not significantly contribute to active standing turnout, dancers demonstrated greater peak force compared to non-dancers.

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Mesh:

Year:  2015        PMID: 26046611     DOI: 10.21091/mppa.2015.2013

Source DB:  PubMed          Journal:  Med Probl Perform Art        ISSN: 0885-1158            Impact factor:   1.106


  5 in total

1.  Bony morphology of the hip in professional ballet dancers compared to athletes.

Authors:  Susan Mayes; April-Rose Ferris; Peter Smith; Andrew Garnham; Jill Cook
Journal:  Eur Radiol       Date:  2016-12-12       Impact factor: 5.315

2.  Single-leg squats can predict leg alignment in dancers performing ballet movements in "turnout".

Authors:  Luke S Hopper; Nahoko Sato; Andries L Weidemann
Journal:  Open Access J Sports Med       Date:  2016-11-16

3.  Bony Morphology of Femoroacetabular Impingement in Young Female Dancers and Single-Sport Athletes.

Authors:  Joana L Fraser; Dai Sugimoto; Yi-Men Yeng; Pierre A d'Hemecourt; Andrea Stracciolini
Journal:  Orthop J Sports Med       Date:  2017-08-10

4.  Kinematic Analysis of Postural Stability During Ballet Turns (pirouettes) in Experienced and Novice Dancers.

Authors:  Chai-Wei Lin; Fong-Chin Su; Cheng-Feng Lin
Journal:  Front Bioeng Biotechnol       Date:  2019-10-25

5.  On the track of the ideal turnout: Electromyographic and kinematic analysis of the five classical ballet positions.

Authors:  Joanna Gorwa; Jarosław Kabaciński; Michał Murawa; Anna Fryzowicz
Journal:  PLoS One       Date:  2020-03-25       Impact factor: 3.240

  5 in total

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