Literature DB >> 25646511

Without it no music: cognition, biology and evolution of musicality.

Henkjan Honing1, Carel ten Cate2, Isabelle Peretz3, Sandra E Trehub4.   

Abstract

Musicality can be defined as a natural, spontaneously developing trait based on and constrained by biology and cognition. Music, by contrast, can be defined as a social and cultural construct based on that very musicality. One critical challenge is to delineate the constituent elements of musicality. What biological and cognitive mechanisms are essential for perceiving, appreciating and making music? Progress in understanding the evolution of music cognition depends upon adequate characterization of the constituent mechanisms of musicality and the extent to which they are present in non-human species. We argue for the importance of identifying these mechanisms and delineating their functions and developmental course, as well as suggesting effective means of studying them in human and non-human animals. It is virtually impossible to underpin the evolutionary role of musicality as a whole, but a multicomponent perspective on musicality that emphasizes its constituent capacities, development and neural cognitive specificity is an excellent starting point for a research programme aimed at illuminating the origins and evolution of musical behaviour as an autonomous trait.
© 2015 The Author(s) Published by the Royal Society. All rights reserved.

Entities:  

Keywords:  evolution of music; multicomponent view; music cognition; music perception; musicality

Mesh:

Year:  2015        PMID: 25646511      PMCID: PMC4321129          DOI: 10.1098/rstb.2014.0088

Source DB:  PubMed          Journal:  Philos Trans R Soc Lond B Biol Sci        ISSN: 0962-8436            Impact factor:   6.237


  39 in total

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Review 4.  Cross-cultural perspectives on music and musicality.

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5.  Music cognition and the cognitive sciences.

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7.  The evolutionary roots of creativity: mechanisms and motivations.

Authors:  Geraint A Wiggins; Peter Tyack; Constance Scharff; Martin Rohrmeier
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

Review 8.  From perception to pleasure: music and its neural substrates.

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  49 in total

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Review 3.  Neural overlap in processing music and speech.

Authors:  Isabelle Peretz; Dominique Vuvan; Marie-Élaine Lagrois; Jorge L Armony
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

Review 4.  Defining the biological bases of individual differences in musicality.

Authors:  Bruno Gingras; Henkjan Honing; Isabelle Peretz; Laurel J Trainor; Simon E Fisher
Journal:  Philos Trans R Soc Lond B Biol Sci       Date:  2015-03-19       Impact factor: 6.237

5.  Cross-cultural convergence of musical features.

Authors:  Sandra E Trehub
Journal:  Proc Natl Acad Sci U S A       Date:  2015-07-08       Impact factor: 11.205

Review 6.  Rhythmic entrainment: Why humans want to, fireflies can't help it, pet birds try, and sea lions have to be bribed.

Authors:  Margaret Wilson; Peter F Cook
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7.  Motor constraints influence cultural evolution of rhythm.

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8.  Artificial grammar learning in tamarins (Saguinus oedipus) in varying stimulus contexts.

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9.  Universality and diversity in human song.

Authors:  Samuel A Mehr; Manvir Singh; Dean Knox; Daniel M Ketter; Daniel Pickens-Jones; S Atwood; Christopher Lucas; Nori Jacoby; Alena A Egner; Erin J Hopkins; Rhea M Howard; Joshua K Hartshorne; Mariela V Jennings; Jan Simson; Constance M Bainbridge; Steven Pinker; Timothy J O'Donnell; Max M Krasnow; Luke Glowacki
Journal:  Science       Date:  2019-11-22       Impact factor: 47.728

10.  Preface to the Special Issue on Animal Music Perception.

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Journal:  Comp Cogn Behav Rev       Date:  2017
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